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Telegraph Cove

Image taken from ship of Telegraph Cove on the Georgia Strait.

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Telegraph Cove

Image of Telegraph Cove. To the left of the image a saw mill is visible.

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Telegraph Cove

Image of Telegraph Cover taken from a ship.

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Teenagers at Elkhorn Residential School

Item is a glass lantern slide of six teenage girls dressed up with uniforms in front of a tree. Based on the original order of the collection, photograph might have been taken at Elkhorn (Washakada) Residential School. The Elkhorn Residential School started as the Washakada Home for Girls and the Kasota Home for Boys were established in the village of Elkhorn, MB in 1888. Following a fire, the school was rebuilt outside the town in 1895. Ongoing financial problems led to a government takeover of the school. It was closed in 1918 but reopened in 1923, under the administration of the Anglican Church’s Missionary Society. Many students came from northern Manitoba. The leaders of The Pas Indian Band made a number of complaints about the conditions at the school, which was eventually closed in 1949. (National Centre for Truth and Reconciliation)

Tanu

File consists of images from the Tanu village site in Haida Gwaii.

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Tall totem pole, Alert Bay, BC

Photograph of a totem pole in Alert Bay, BC. This pole has been called the world's tallest totem pole, though this is a disputed fact since it is actually comprised of two pieces. The pole is not specific to a particular family, but represents multiple tribes of the Kwakwaka'wakw. The pole was completed in the late 1960's and raised in 1973. It is located near the Big House.

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Taking a trip to the store

An image showing women and children getting on a motor boat while other people stand on the dock. According to the documentation included with the filmstrip, the description of the image states "These girls have taken the Vincent's speed boat from the Reserve wharf to the fuel wharf. They are going to shop at the store and pick up their mail. There are no roads or cars in Kyuquot, so to be able to get around every family must have at least one boat. Many families have a row boat, a motor boat, and a fish boat. Which boat would you take to the store?"

Tait family regalia

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed. 1st 3 rows of photos shows people after log has been moved into the old UBC carving shed. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING p. 40-41.) Text info for last 9 images is from pp. 42-45.

Notes:
• Norman told me that “they” had to pay for moving the log to UBC’s carving shed (i.e. it came out of his contract monies). After the Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.

Geographic Location: all photos at area around the old UBC Carving Shed

Tait family regalia

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.

Geographic Location: all photos at area around the old UBC Carving Shed

Tait family regalia

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.

Geographic Location: all photos at area around the old UBC Carving Shed

Tait family regalia

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.

Geographic Location: all photos at area around the old UBC Carving Shed

Tait family regalia

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.

Geographic Location: all photos at area around the old UBC Carving Shed

Tait family regalia

Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.

Geographic Location: all photos at area around the old UBC Carving Shed

Tait

Series documents Nisga’a artist Norman Tait and his crew of carvers during a period in which they were prolific in their creation of totem poles.

Jensen first met Tait in the early 1970s when she would photographic artists’ works for Bud Mintz, Vancouver gallery owner. In 1985 she had the idea to produce a book documenting the carving of a totem pole from start to finish. She approached Tait, who initially refused but called Jensen back just a few days later to take her up on the offer, after being commissioned to create a pole for the Native Education Centre in Vancouver.

Jensen photographed Tait and his crew, which consisted of his brother Robert (Chip), his cousin Harry Martin (Hammy), his nephew Wayne Young and his eldest son Isaac (Ikey). She also made notes and audio recordings of Tait’s lessons to his crew, most of whom had never worked on such a large project. The photographs and tapes were used in the creation of the book Where the People Gather: Carving a Totem Pole. The project also led to the publication of a children’s version, Carving a Totem Pole and a paperback version titled Totem Pole Carving. The books were published in the early 1990s.

Jensen documented Tait’s next two major commissions: two poles for Capilano Mall in 1986, and a pole for Stanley Park in 1987.

In 1987 Tait adopted Jensen into the Nisga’a Eagle Clan and began to teach her about the responsibilities that came with the honour. The lessons were put into practice in 2001 when Tait asked Vickie to guard the body of a family member that had died.

The series includes photographic records of the creation of the four poles; audio recordings of lessons and interviews with Tait; transcripts of the audio tapes; and notes. The series consists of five sub-series:

A. Native Education Centre (NEC) pole photographs
B. Capilano Mall and Stanley Park poles photographs
C. Misc. photographs
D. Tait family and crew artists’ photographs
E. Audio tapes and transcripts.

Tah-noo

Image of a man standing in what appears to be remains of the village of Tahnoo.

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Tah-noo

Image of structural and/or totem pole remains at the Tah-noo village site.

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Tah-noo

Image of remains in the former site of the village of Tahnoo (?).

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