Image depicts a nearly completed totem pole outside. A can of black paint is visible on the path. This pole may be the St. Catharines Ontario Centennial pole carved in 1967.
The textual records contained in this file include photocopies of paint samples and other research related to painted screens. The images in the file include historical photographs of Tsimshian longhouses, and Northwest Coast screens.
Collection illustrates the gathering of information and writing of the book “Paddling to Where I Stand : Agnes Alfred, Qwiqwasutinuxw Noblewoman.” Includes interviews to Agnes Alfred conducted by Martine J. Reid and Daisy Sewid-Smith between 1979 and 1985. Interviews are documented as audio and video recordings and their written transcriptions, and other materials gathered by Martine J. Reid and Daisy Sewid-Smith for the edition and publication of the book. Collection also contains the manuscripts and draft for the book; correspondence between Martine J. Reid, Daisy Sewid-Smith and other people; eulogies and funeral pamphlets; Agnes Alfred’s family information; historical notes; and miscellanea. Collection includes photographic materials with photographs included in the book and additional photographs gathered by Martine J. Reid and Daisy Sewid-Smith during their research, and portraits of Agnes Alfred’s parents.
File consists of photographic prints depicting Oweekeno cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50006 in MOA's Great Hall.
Image depicts a painting filled with ovoid shapes that seem to comprise at least one creature. Painting is done in black on white with highlights of red.
Image of 2 of the 4 weavings that comprise Out of the Silence on display at the Vancouver International Airport. The weavings were made by Musqueam artists Krista Point, Robyn Sparrow, Debra Sparrow, Gina Grant and Helen Callbreath.
Photograph depicts terrace houses at Oraibi, a Hopi village in Arizona. The photograph shows a corner along with the entrance to the estufa, or underground room.
Photograph depicts what Maude describes as a flashlight photograph of the interior of the house of their host, Seanmia. Two women are grinding corn on the metate.
