- 1-1-O
- Subseries
- [1982]
Subseries consist of images showing a beaded object, possibly associated with the 1982 exhibition Beads: Selections from the Textile Collection of the Museum of Anthropology.
Subseries consist of images showing a beaded object, possibly associated with the 1982 exhibition Beads: Selections from the Textile Collection of the Museum of Anthropology.
Subseries consists of images used in the book Cowichan Indian Knitting and textual records relating to the production of the book. In addition are the images used in the exhibit which was shown in the Museum of Anthropology September 23 – November 9, 1986.
File 1: Images used in booklet
File 2: Images used in exhibit
File 3: Images of the exhibit
Don Bain Massive Carvings Documentation Project
Subseries consists of records collected or created by Don Bain during the course of his Massive Carvings Documentation Project. This project took place in the early to mid 1990s. The Massive Carvings Documentation Project was intended to compile information directly related to the poles and massive carvings in the Museum of Anthropology (MOA) collection into a set of Totem Pole Files. The Totem Pole Files were intended to be accessible to MOA staff, volunteers, students, and the general public. The subseries is divided into two sub subseries:
a. Totem pole files
b. Working files
From Classical to Modern: Javanese Shadow Play Figures
Part of Carol Mayer fonds
Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.
File 1 - 3: [Photographs ]
File 4: [Transparencies, negatives]
File 5:[Book]
File 6: [Draft of book]
File 7: [Photographs]
Staff research, publications and productions
Subseries consists of material produced by museum staff, among them Wilson Duff, Harry and Audrey Hawthorn, Marjorie Halpin, and Gloria Cranmer Webster. There is extensive material on Audrey Hawthorn’s Art of the Kwakiutl Indians. Included in this subseries are ca. 2000 photographs which were collected for possible use in this book. Photographs are numbered A38-A17206 with many numbers missing throughout. The majority of photographs are of wooden masks, but they are also of bowls, bentwood boxes, paddles, rattles, totem poles, talking sticks, headdresses and frontlets, wooden figures and miniatures, whistles, spoons, silver bracelets, argillite carvings, button blankets, chilkat blankets, cedar head and neck rings, woodworking tools, stone tools, and fish hooks. Other record forms included in this subseries include correspondence, notes and published materials.