[Back of photograph of Bill Reid's mother]
- 1-5-2 (27.2)-a035139-2
- Stuk
- [192-?]
Card-stock backing the photographic print of Bill Reid's mother. The card lists information to describe the photograph. Back of item #a035139-1.
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[Back of photograph of Bill Reid's mother]
Card-stock backing the photographic print of Bill Reid's mother. The card lists information to describe the photograph. Back of item #a035139-1.
Image of a group of children in a canoe on the shore. A totem pole is visible in the background.
[Back of photograph of Bill Reid and his grandfather]
Cardstock backing the photograph of Bill Reid and his grandfather. The card lists information to describe the photograph. Back of item #a035140-1.
Image of a group of children in a canoe on the shore. A totem pole and other wooden structures are visible in the background.
Image of Bill Reid's mother standing on a wooden porch, looking towards the camera.
Bill Reid and his grandfather Charles Gladstone
Image of Bill Reid as a child standing next to his maternal grandfather, Charles Gladstone, seated on a wooden porch. Reid is holding a small pipe in his mouth and looking towards the camera.
Photographs of Bill Reid and his works
File consists of photographs of Bill Reid and his work. Select items from this file have been digitized and are available for viewing in the attached item records.
Image of Bill Reid, seated, holding a small metal box with intricate carving on the exterior.
Ivory and argillite totem poles
Series consists of records created and collected by McLennan relating to Bill Reid and his art held both in private collections and at the MOA. Projects included in these records are the installation of Raven and the First Men in the MOA and The Spirit of Haida Gwaii at the Vancouver International Airport. Photographs also document jewelry designed by Bill Reid, along with small sculptures, large scale sculptures, ivory and argillite works and drums.
Image of Bill Reid (left) and Jim Hart (right) standing next to a large wooden carving, possibly a door.
File consists of colour photographs of Northwest Coast artifacts including masks, spoons, boxes, hats, and sculptures housed at the Museum of Vancouver.
File contains images of Northwest Coast, possibly Heiltsuk, artifacts including a mask, sculpture, and weapons housed at the British Museum.
File contains a list of CMC artifact numbers and correspondence from McLennan to CMC requesting prints from their collections.
United Church Archives materials UBC
File contains images of various First Nations villages and townspeople around Skidegate, Port Simpson, and Bella Bella.
Series consists of records created by William McLennan in the course of planning and photographing various projects and events at MOA.
Projects are considered as having a longer duration, often occuring outside of the physical museum building, and in cooperation with other bodies. McLennan often liaised with First Nation communities and artists during the planning stages of projects.
Events are considered as having occurred over a short period of time. Events were attended by McLennan as a MOA representative and photograph.
On both projects and events McLennan took on larger roles in addition to photographer such as community liason, presenting on topics, and designer. Each project and event comprises their own sub-series.