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Image depicts carving a canoe outdoors. Both Douglas Cranmer and Godfrey Hunt are pictured working on the Nootka canoe.

Image depicts a man, probably Douglas Cranmer, in the early stages of carving the St. Catherines, Ontario totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.

Image depicts Douglas Cranmer in the early stages of carving the St. Catherines totem pole. The pole is outside.. He is using an adze to make early cuts on a pole.

Photograph of a set of totem poles that will become part of the longhouse in Alert Bay, BC. These poles were carved and raised before the rest of the structure.

Photograph of three men carving totem poles that would become part of the bighouse in Alert Bay, BC.

A group of men stand in an open field. These men wear western-style clothing. In the background other people, wearing native clothing also stand.

Portrait of Cecilia John. She is pictured on page 99 of Carter's book "From History's Locker," with the caption: 'Teh is um'. Cecelia John, 83 yrs, Nootka name, 'Mo ah chat."

Portrait of Cecilia John. She is pictured on page 99 of Carter's book "From History's Locker," with the caption: 'Teh is um'. Cecelia John, 83 yrs, Nootka name, 'Mo ah chat."

Portrait of Cecilia John. She is pictured on page 99 of Carter's book "From History's Locker," with the caption: 'Teh is um'. Cecelia John, 83 yrs, Nootka name, 'Mo ah chat."

Image depicts a cedar carving of a human head.

Image depicts the interior of a big house, possibly at Alert Bay, BC. People are dressed in regalia and a ceremonial dance seems to be in progress.

Image depicts several women and children dancing outdoors. Others play drums in the background.

Image depicts several people involved in a performance. A female plays the drum. A male, clad in a bathing suit and regalia, dances on his knee. Another man wearing a headdress, stands at the back of the photo. Spectators are also visible in this outdoor scene.

Elders perform the ceremony for the raising of the Mungo Martin memorial pole in Alert Bay.

Elders perform the ceremony for the raising of the Mungo Martin memorial pole in Alert Bay.

Elders perform the ceremony for the raising of the Mungo Martin memorial pole in Alert Bay.

Image depicts a totem pole in Masset, Haida Gwaii, B. C. Inscribed on the image is "totem Poles, Massett [sic] Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."

Image is portrait of Charles Edenshaw leaning on frontal house post in Skidegate, Haida Gwaii, B. C. Inscribed on the image is "Indian Totem Poles at Skidegate Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."

Image of totem pole carved by Charles James.

The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.

The Charlie James totem pole being moved from Totem Park as part of its relocation to the new Museum of Anthropology building.