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West Coast exhibit

Sub-series consists of textual records for the West Coast art exhibit organized by Ron Hamilton and Marjorie Halpin. Records include Hamilton’s biography, exhibit correspondence, project proposal and exhibit planning. Also included is a transcript from a taped interview of Ron Hamilton by Karen Duffek in 1989.

Wearing Politics

Subseries consists of notes pertaining to the exhibit “Wearing Politics, Fashioning Commemoration: Factory Printed Cloths of Ghana”. This was a student exhibit by Michelle Willard. The exhibit was coordinated by Elizabeth Johnson. This exhibit was installed at MOA in February 2004.

Sem título

Volunteers

Subseries consists of a single file, “In-Service Education for Museum Associates” which relates both to the development of a policy for the broader education of museum associates in the fields of anthropology and archaeology, as well as documents which pertain to the public interaction training for volunteers. Records within this subseries include programs, memoranda and policy documents. Also included in this subseries is an audio cassette entitled “Audrey Hawthorn talks to Associates— History of MOA” 72.

Visiting scholars

Sub-series consists of textual records relating to visiting scholars who gave public lectures at the Museum of Anthropology. Included is correspondence and memos to A. Gerbrands, Paul Gibbons, Emmett Hannibal, and Lawrence Moss.

Visible Storage

This subseries includes materials used in the planning of the exhibit case layout and case design, including Earthquake Mitigation. The planning involved considering innovative ways to use museum space, safety and conservation of the collection materials as well as the enjoyment and interaction with the public. The subseries includes videotapes pertaining to earthquake mitigation. Areas of focus include tests of the current visible storage cases using dental wax, nylon microfilament and securing mechanisms. Records include 4 videocassettes.

Village life photographs

Consists of photographs illustrating life in La Push. When Jensen first arrived in 1972 it was the first time she had been to the Northwest coast: she found it fascinating and took photographs of everything she saw. Throughout the time that Jensen and Powell worked with the Quileute, Jensen recorded activities and people in the community. These images were often used in the education materials that they produced.

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