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Item is the second of two audio recording of performers singing Haida songs at the opening reception of Celebration of the Raven. The recording is Reel #6 of the soundtrack for the film Celebration of the Raven, directed by Ken Kuramoto, which documented the work process and installation of Bill Reid’s carving titled The Raven and the First Men and its unveiling by the Prince of Wales in 1980.

Item is an audio recording of introductory speeches given during the opening reception of Celebration of the Raven. The recording is Reel #7 of the soundtrack for the film Celebration of the Raven, directed by Ken Kuramoto, which documented the work process and installation of Bill Reid’s carving titled The Raven and the First Men and its unveiling by the Prince of Wales in 1980. The recording begins with an unidentified speaker who acknowledges the two groups who co-hosted the event: the Haida of the Queen Charlotte Islands including the Chiefs, Chief Elders and the People as well as the Friends of the Museum of Anthropology, Corporate Friends and the Raven Committee. The recording is then interrupted. The following portion of the recording features a woman speaking, likely in Haida. The recording is interrupted several more times during various speeches so it is difficult to identify speakers. Lastly, Haida artist Bill Reid provides a tribute to the passing of Haida storyteller Solomon Wilson and then thanks various individuals involved in the creation of the sculpture including Walter Koerner and artists George Norris, Garry Edenshaw, Charles Edenshaw and others. The recording concludes with singing and drumming.

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.