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Mungo Martin restoring a totem pole originally carved by Charlie James. The pole later stood in Totem Park at UBC before being moved to the Great Hall of the Museum of Anthropology.

Mungo Martin wearing a headdress and button blanket.

Portrait of Matilda Jim, resident of the Stl'al'lmx Mount Currie Reserve. She is seen here weaving a basket. A portrait of her is printed on page 43 of Carter's book Abundant Rivers, with the caption: Matilda Jim, 106 years old. One of the village's most active basket makers. She spends her days weaving to meet a constant demand for her wares."

Portrait of Matilda Jim, resident of the Stl'al'lmx Mount Currie Reserve. She is seen here weaving a basket. A portrait of her is printed on page 43 of Carter's book Abundant Rivers, with the caption: Matilda Jim, 106 years old. One of the village's most active basket makers. She spends her days weaving to meet a constant demand for her wares."

Portrait of Matilda Jim, resident of the Stl'al'lmx Mount Currie Reserve. She is seen here weaving a basket. A portrait of her is printed on page 43 of Carter's book Abundant Rivers, with the caption: Matilda Jim, 106 years old. One of the village's most active basket makers. She spends her days weaving to meet a constant demand for her wares."

Image of a dirt road and buildings in Pemberton Valley, on the Mt. Currie reserve.

Close-up image of Mrs. Wilson weaving a basket. A similar image is printed on page 112 of Carter's book "From History's Locker."

Image of Mrs. Wilson weaving a basket. A similar image is printed on page 112 of Carter's book "From History's Locker."

Portrait of Able John, who was born at Ehahsitaht but moved to Gold River.

Photograph of a woman identified as Mrs. Sewid and four younger women identified as her daughters. All five of them are in ceremonial dress. They are standing outside, with a group of spectators behind them. It is not clear what type of event they are at. A stamp on the verso of the print indicates that it was printed in 1958.

Portrait of Mr. Tate, Nisga'a.

Portrait of Mr. Tate, Nisga'a.

Portrait of Mr. Tate, Nisga'a.

Portrait of Mr. Tate, Nisga'a.

Image depicts a range of mountains with a valley and river running through it. Based on Read's itinerary for this trip, this may be the Skeena River and valley.

View from an elevated site showing mountain tops. Snow-covered evergreens appear in the foreground.

Image depicts exterior view of the Mountain House, frontal pole, house post, and mortuary pole located on Moresby Island in Haida Gwaii, B. C. In the foreground is a canoe. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Gold Harbour Q. Ch. Is.". Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Indian Village".

Image depicts a side view of the top of a totem pole carved by Doug Cranmer. This view shows details of the mosquito's head, eye, and mouth. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Image depicts a rear view of the top of a totem pole carved by Doug Cranmer. This portion depicts a side view of the mosquito's head and wings and reveals that the pole is open at the back. From this perspective a church can be seen in the background. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.

Image depicts a close up view of the top of a totem pole carved by Doug Cranmer featuring a mosquito. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.