Subseries consists of notes pertaining to the exhibit “Wearing Politics, Fashioning Commemoration: Factory Printed Cloths of Ghana”. This was a student exhibit by Michelle Willard. The exhibit was coordinated by Elizabeth Johnson. This exhibit was installed at MOA in February 2004.
This exhibit was created by UBC graduate student Michelle Willard, and housed a collection of printed cloths that Ghanaians’ considered to be highly significant and shows how they are worn in Ghana to proclaim political loyalties and commemorate important events.
Sub-series consists of textual records for the West Coast art exhibit organized by Ron Hamilton and Marjorie Halpin. Records include Hamilton’s biography, exhibit correspondence, project proposal and exhibit planning. Also included is a transcript from a taped interview of Ron Hamilton by Karen Duffek in 1989.
Subseries consists of a photograph of Elizabeth Johnson with a group of individuals standing in front of the exhibit What is Canadian cultural property?
Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.
File contains information pertaining to the <i>Where are the Children? Healing the Legacy of the Residential Schools</i> exhibit. This information includes background information about residential schools in Canada, a copy of the exhibit's preliminary design report, photocopies of images, and a copy of the exhibit's "Reference Manual: For Setting up Exhibition (floor plans, wall elevations, text, captions, etc."