Image depicts four totem poles standing in a cleared area. A structure is visible in the lower left corner of the image. The totem on the image's far left appears to be a pole carved by Tony Hunt (with Calvin Hunt, John Livingston, and Peter Knox), located in the Nimpkish Band Cemetery at Alert Bay.
View of the Killer Whale Arch located at the entrance to the Nimpkish Band Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia, See also item a033244 of this same carved arch.
View of the Killer Whale Arch located at the entrance to the Kwatiul Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia, this photo is attributed to Eric J. Cooke, Camp "N," Beaver Cove, B. C. Several crosses and memorial totem poles are visible behind this archway. See also item a033261 which includes this same carving.
View of the Killer Whale Arch located at the entrance to the Kwatiul Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia. Several crosses and memorial totem poles are visible behind this archway.
Kwakiutl "Wild Woman" totem pole. Photo by E. J. Cooke; published by J. Barnard Photographer, LTD, Victoria B. C. This pole, located in the Nimpkish Band Cemetery, is a memorial to Billie Moon. It was carved in 1931 by Willie Seaweed and his son Joe. It depicts a Thunderbird grasping the head of the giantess Dzoonokwa. See also items a033236, a033242, and a033260 which also depict this pole.
View of a Kwakiutl totem pole on Alert Bay, Cormorant Island, British Columbia. Pole appears to be standing in a cemetery. A cross marked Charles Smith is visible. This pole features a bird (possibly a raven) atop several other animals.
View of a Kwakiutl totem pole on Alert Bay, Cormorant Island, British Columbia. Pole stands in Nimpkish Band Cemetery and was carved by Willie Seaweed with Joe Seaweed. It is a memorial to Billie Moon and was carved in 1931. It depicts a Thunderbird grasping the head of Dzoonokwa, a giantess. See also images a033236, a033247, and a033260, which also depict this pole.
View of the Kwakiutl totem poles standing in a cemetery. The two poles stand adjacent to graves marked with crosses, which are identified Chief J .Aul Sewid and Mrs. Lucy Sewid. The presence of flowers at this gravesite suggest that this photo may have been taken in 1988 when Chief Sewid died. Photo is attributed to Eric J. Cooke, Photo Productions, Sidney, B. C.
View of two Memorial poles. The taller pole depicts an eagle and a grizzly bear; the shorter pole depicts a human form holding copper. Photo is attributed to Eric J. Cooke Photo Productions, Sidney, B. C.
Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.
Item is a hand-tinted glass lantern slide of nineteen people (adults and children) taking flowers to a grave. Based on the rest of the collection and general aspect, photograph might have been taken in Carcross, Yukon and the grave might be of Bishop Bompas, first Bishop of Selkirk (later Yukon) who died in 1906. Bishop Bompas founded the ChoutlaResidential School. Item is similar to item no. 620, fonds 008 Missionary Society of the Church of England in Canada (MSCC) fonds, from the Anglican Church of Canada General Synod Archives.
View of several totem poles in Nimpkish Band Cemetery. Totem on the far right of image is a memorial to Billie Moon, carved by Willie Seaweed and Joe Seaweed in 1931. The pole second from the right, carved by Doug Crammer, Richard Hunt, Bruce Alfred, Donna Ambers, Fish Ambers, and Richer Sumner, is a memorial to Dan Crammer.
Item is an image of a tombsone for William Wastesecoot. According to annotations, photograph was taken at the Indigenous Peoples Graveyard, York Factory, Manitoba.
