Wilson Duff's Bibiliography, Anthropology 301
- 29-6-A-188
- Bestanddeel
- [19-]
Part of Wilson Duff fonds
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Wilson Duff's Bibiliography, Anthropology 301
Part of Wilson Duff fonds
Wilson Duff interview with Jonathan Johnson at Kispiox
Part of Wilson Duff fonds
Item is an audio recording of an interview by Wilson Duff with Jonathan Johnson about the geography of the Gitxsan village of Kispiox and surrounding region. According to Tribal Boundaries in the Nass Watershed by Neil J. Stewart (MOA Reading Room, call number 12.7c GIT STE), Jonathan Johnson (1902-1968) of Kispiox was from the House of Xhliimlaxha and had knowledge of territories in the Nass watershed, including his father’s territory at Gwinhagiistxw. In interviews that took place on July 6 and 7, 1965, Duff gathered information about house territories in the Nass and Skeena watersheds to produce a map showing territories and numbered sites at Kispiox, see the Wilson Duff fonds at MOA, Box/File# Mc15, File# 10-B-21.
The Wilson Duff papers consist of textual records, photographs, negatives, slides, maps, audio recordings, compact disks and one video tape that relate to Duff's activities, correspondences, and publications as one of the foremost researchers in Northwest coast Indian history, culture and traditions. Also included in the fonds are records relating to Duff’s work as an Anthropology professor at the University of British Columbia, his advisory and curatorial consultancy work, committee membership and the exhibit Images: Stone: B.C.
Records in the Wilson Duff fonds have been organized into the following seventeen series:
Series 1: Wilson Duff’s student papers (1949-1950)
Series 2: Correspondence (195?-1975)
Series 3: Published and unpublished articles (195?-1972)
Series 4: Site visits (195-)
Series 5: Northwest Coast research (195?-197?)
Series 6: Teaching materials (1965-1976)
Series 7: Committee and consultancy records (1966-1976)
Series 8: Personal records (1965-1976)
Series 9: Photographic records (195?-1976)
Series 10: Maps (1955-1976)
Series 11: Images: Stone: B.C. (1975-1977)
Series 12: Research notes and materials (196?-1976)
Series 13: Tsimshian files (1915-1976, predominant 1957-1971)
Series 14: Recordings (1962-1976)
Series 15: Creative writing (195? - 197?)
Series 16: Posthumous writings on Duff (197? – 199?)
Series 17: Ephemera (195? – 197?)
Zonder titel
Willy White Weaving Project, My Ancestors are Still Dancing
Part of Darrin Morrison fonds
Part of Karen Duffek fonds
Part of Elizabeth Johnson fonds
Part of Elizabeth Johnson fonds
Part of Karen Duffek fonds
Part of Elizabeth Johnson fonds
Part of Elizabeth Johnson fonds
Part of Elizabeth Johnson fonds
Willy White: “My Ancestors Are Still Dancing”
Part of Karen Duffek fonds
The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.
Willistead Art Gallery of Windsor
File contains images of the exhibit My Ancestors are Still Dancing. In addition are textual records relating to the exhibit such as budget and outlines.
Part of Anthony Carter fonds
Portrait of Chief Weah (Willie Mathews). A different portrait of him is printed on page 11 of Carter's book "This is Haida," with the caption: "Hereditary chief of the village 'Haida,' located at the north end of Masset Inlet its Indian name was 'Ottiowas.'"
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