Showing 713 results

Image depicts a painting of a sea creature, possibly a whale. The painting is done in black, red and blue on white paper.

A screen depicting a double-headed serpent on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

A screen depicting a double-headed serpent on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Dance screen and figure on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".

Scaffolding surrounds two totem poles in totem park in preparation for moving them from Totem Park to the new Museum of Anthropology building. The pole on the viewer's right was originally carved by Charlie James and later restored by Mungo Martin. The pole on the viewer's left was carved by Mungo Martin and later restored by him in 1950-51. Both poles stood in Totem Park from 1951 until they were moved to the new Museum of Anthropology building in 1975.

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Image of Kingcome resident holding a mask carved by the late chief Willie Seaweed of Blunden Harbour. A colour version of this image is printed on page 49 of Carter's book From History's Locker.

Image depicts several adults standing outside, at a salmon barbecue. One woman wears an apron and salmon is visible behind the people.

Two men, possibly Rudy Kovach and Anthony Carter, stand near a house frontal totem pole newly installed in the Museum of Anthropology.

Two men, possibly Rudy Kovach and Anthony Carter, stand near a house frontal totem pole newly installed in the Museum of Anthropology.

Roy Hanuse Painting a panel in what appears to be the old Museum of Anthropology location in the basement of the library.

Roy Hanuse carving what appears to be a Dzunukwa mask.

Image depicts four adults, wearing western clothing and regalia, resting on a log next to a parked car.

Image depicts Doug Cranmer removing bark from a pole using what seems to be an axe.

Image depicts a print entitled Red Border Eye Design. Other notes say, "sh 50 Ap 2.8__4"