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Series consists of materials published or printed by the Museum of Anthropology, including books, reports, periodicals, and newsletters. Records in the series are divided into 13 files:

1. Annual Reports
2. Calendar of Events
3. Museum Notes
4. MOA News
5. Library Bulletin
6. Next @ MOA
7. MOA Magazine
8. Inside MOA
9. Exhibition Books and Catalogues
10. What's New and What's On At the Museum
11. Miscellaneous publications
12. Sourcebooks
13. Educational resources

Series consists of records pertaining to exhibitions at the Museum of Anthropology from the 1960s to the present day, including programming and events related to specific exhibitions. Material includes exhibition press releases, invitations, proposals, catalogues, and programmes. Records of this series are arranged into files for each represented exhibition, organized chronologically.

Series consists of written X̄a’islak̓ala (Haisla language) documentation and learning materials by the Dutch linguist Hein Vink (also known as Henry Vink). These language materials consist of a dictionary, one beginner course book, and one advanced level Haisla learning course book. The series also contains written tellings of traditional Kitimat stories, as told by Jeffrey Legaic and collected by Gisele Mendel.

Research notes compiled by Wilson Duff during his work on the Barbeau/Beynon material held at the National Museum of Canada (now Canadian Museum of History). This research, focused specifically on the Tsimshian culture, includes correspondence addressed to and/or written by Duff, files relating to the Nishga Land Claim of which Duff was involved as a witness, and typed manuscripts.

Series consists of documents relating to Duff's professional activities as a member or chair of various advisory committees.

Series consists of records documenting personal transactions, financial matters, and accomplishments of Duff.

Series consists of photographs, negatives, and slides taken or acquired by Duff during his study of North West coast culture and art. Included are views of objects, exhibits, places, trips, events, and people. There are six sub-series.

Cassette and sound reel recordings of lectures given by Duff for Anthropology 301 and 304 and at external events. Also included are various interviews by Duff and taped narratives, songs, and stories by Maxime George (Fort Fraser), Donald Gray (Haqwilget), Johnson Williams (Kispiox), Maxine George (Dakelh) and “Shuswap Songs” by Amy August, Mrs. Wellard, Henry Samson, and Basil Dennis.

Creative works written by Duff during his lifetime. Works include rough and completed drafts of poems and short stories.

Series consists of records documenting Minn Sjolseth’s practice as a painter and printmaker from the 1960s to the 1990s. Records include photographic documentation of Sjolseth’s paintings, other artwork, and exhibitions; newspaper clippings and other ephemera related to her artistic career; invitations, press releases, and one sheets from several of her exhibitions; textual records relating to her artworks and artistic career (including price lists, appraisal documents, and artist files from institutions); biographical and memorial pamphlets about Sjolseth; a scrapbook containing photographs and ephemera related to her art practice and personal life; and a sketchbook containing drawings and ephemera.

Series includes photographs and other graphic materials related to the editing of the book

Series includes notes related to the editing of the book

Series includes drafts, sections, and manuscripts of the book

Series includes collected pamphlets and eulogies related to the Kwakwaka'wakw community

Series consists of records relating to museum exhibits that were In House (MOA based exhibit displayed at MOA), Traveling In (exhibits from outside institutions), and/or Traveling Out (a MOA based exhibit that travels for exhibition outside of MOA). The records include correspondence, interdepartmental memoranda, loan agreements, exhibit receipts, exhibit proposals and forms, news releases, pamphlets, newspaper clippings, colour photocopies, display labels, negatives, slides, and photographs.

The records are divided into the following sub-series:

A Trapline Lifeline 1987-1992
B Beyond Revival 1988
C I Have Seen the Other Side of the World

• Masks of the Northwest Coast 1988
  D Gifts & Giving 1988
  E Lyle Wilson: When Worlds Collide 1988-1989
  F Images from the Inside Passage 1985-1989
  G Everything Politics – Australian Aboriginal Political
  Art in Print & Poster 1988-1989
  H Ghosts in the Machine, Phase II 1988-1989
  I A Coat of Many Colours 1988-1991
  J From Classical to Modern: Javanese Shadow Play Figures 1988-1991
  K Sacred Objects & Holy Presence 1989-1990
  L Fieldnotes 1989-1991
  M Transforming Image 1988-1995
  N Proud to be Musqueam 1988-1996
  O The Inside Passage – 1792 1989-1995
  P Great Canada Exhibit 1990-1991
  Q World Aids Day 1990
  R Fragments: The E. Sonner Donation of African Sculpture 1990-1991
  S Asia Pacific Foundation 1990-1993
  T David Neel 1990-1993
  U British Columbia Contemporary Ceramics 1991
  V Denendeh 1991
  W Savage Graces: “After Image” by Gerald McMaster 1992
  X Thunderbird & Whale 1992
  Y Cantonese Opera 1991-1996
  Z Eulachon – A Fish to Cure Humanity, The Grease Trails 1977-1995
  AA Saltglazed Stoneware 1992
  BB Dragon Jars 1992-1993
  CC Maiolica/Majolica 1992-1993
  DD Echoes 1992-1996
  EE Ron Hamilton 1994
  FF Cannery Days 1994-1995
  GG Sally Michener 1994-1996
  HH Maui: Turning Back the Sky 1995-1997
  II Written in the Earth 1992-1998
  JJ Ancient Lives: The Maya of Guatemala 1998
  KK Exhibit “A” – Objects of Intrigue 1998-1999
  LL Chinese Trade Ceramics 1998-2000
  MM Celadon 1991-2002
  NN Looking at Labels 1994
  OO La Force de la Tradition (virtual exhibit) 1995-1997
  PP T’ang Horses [ca. 1992]
  QQ Of Other Spaces 2001
  RR A Break in the Ice: Prints and Drawings from the
  Linda J. Lemmens Collection 1999
  SS Viewpoints: A student exhibition 2002
  TT A Guide to Visible Storage 2001
  UU Man Ray 2010-2011
  VV Tatau 2008-2009
  WW Ways of Knowing 2008
  XX The Village is Tilting 2008-2009
  YY Pleased to Meet You: Introductions 2012
  ZZ Paradise Lost? 2013
  AAA A Green Dress: Objects, Memory and the Museum 2011
  BBB Koerner European Ceramics Gallery [ca. 1990-20--]
  CCC Spirit of Islam: Experiencing Islam through Calligraphy 1999-2003
  DDD Pasifika: Island Journeys 1999-2003
  EEE Visions of Enlightenment: Buddhist Art at MOA 2011-2012

Series documents the development and implementation of the Aboriginal Cultural Stewardship Program (ACSP) at MOA, an educational program which Pam Brown designed in 1994-1995. The Aboriginal Cultural Stewardship Program was similar to the Aboriginal Museum Internship Programme in that it provided native participants with practical training in how to develop low-cost, effective displays and resource materials on cultural subjects; ACSP, however, was a more in-depth educational program than AMIP and was six weeks long instead of three. Records in this series include reports, correspondence, press releases, and evaluation forms of interns and the program itself.

Series contains textual records created or received by Karen J. Clark during her active years, including printer’s copies, published editions and photocopies of her books, personal correspondence, photocopies of newspaper clippings, and teaching materials.

Series consists of records, photographs and research related to the planning for the installation of the Multiversity Galleries at the MOA. This project was part of the Partnership of Peoples Renewal project, which expanded the MOA and renovated existing gallery space. McLennan’s role included outreach to First Nations communities. In cases where members of the community could not travel to MOA, McLennan would travel to them bringing with him binders which were assembled to show the objects held in the MOA collections.

The First Nations communities which McLennan included as part of the community consultation process include: Comox, Kitselas, Stl’atl’imx/Lillooet/ Lil’wat/St’at’imc, Nlaka’pamux, Gitksan, Haida, Wet’suwet’en, Haisla, Secwepemc, Squamish, In-SHUCK-ch, Nuxalk, Heiltsuk, Tsimshian, Nisga’a, Salish, Comox and Kwakwaka’wakw.

Series consists of records created and collected by McLennan in the course of research on Northwest coast art. McLennan kept files related to research conducted in other museums and archives, on artists he came into contact with, and a series of photographs depicting art styles and objects complied and organized by culture, and ideas and research for books. Each of these comprises its own sub-series.

This series consists of records created, received, and/or used by the staff responsible for school programming.

The series includes records which document the creation, organization, administration and execution of educational programming for students. The series contains the following kinds of records: correspondence, memoranda, press releases, school kits, teachers’ notes, educational program instructions, publications, evaluation reports, newspaper clippings, promotional brochures and handouts, interviews, interview consent forms, media consent forms, photographs, audio and video recordings, and other material related to school programs.