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Archival description
Kwakwaka'wakw
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Partially carved pole

Image depicts three carvers working on a totem pole. The centre carver is Doug Cranmer; the man on Cramner's right may be Godfrey Hunt. A woman works, possibly sanding, image right.

Painting a pole

Image depicts painting a totem pole. A woman paints in the foreground; Doug Cranmer stands at the other end of the pole.

Painting a pole

Image depicts a carver, possibly Godfrey Hunt, painting a totem pole. 1960s vintage cars are visible in the background.

Painted totem pole

Image depicts a nearly completed totem pole outside. A can of black paint is visible on the path. This pole may be the St. Catharines Ontario Centennial pole carved in 1967.

Paddling to Where I Stand collection

  • 138
  • Collection
  • 1979 - 2003

Collection illustrates the gathering of information and writing of the book “Paddling to Where I Stand : Agnes Alfred, Qwiqwasutinuxw Noblewoman.” Includes interviews to Agnes Alfred conducted by Martine J. Reid and Daisy Sewid-Smith between 1979 and 1985. Interviews are documented as audio and video recordings and their written transcriptions, and other materials gathered by Martine J. Reid and Daisy Sewid-Smith for the edition and publication of the book. Collection also contains the manuscripts and draft for the book; correspondence between Martine J. Reid, Daisy Sewid-Smith and other people; eulogies and funeral pamphlets; Agnes Alfred’s family information; historical notes; and miscellanea. Collection includes photographic materials with photographs included in the book and additional photographs gathered by Martine J. Reid and Daisy Sewid-Smith during their research, and portraits of Agnes Alfred’s parents.

Martine J. Reid

Ovoid painting

Image depicts a painting filled with ovoid shapes that seem to comprise at least one creature. Painting is done in black on white with highlights of red.

Outdoor cooking

Image depicts several adults standing outside, possibly at a salmon barbecue. One woman wears an apron and salmon is visible behind the people.

Old whale mask

Image depicts an old mask of a whale. Several parts are articulated and held together with string. Mask may have been found in Quatsino, on the northern portion of Vancouver Island.

Old whale mask

Image depicts a whale mask, painted in black, white and red. Photograph has been taken inside next to a door or window. Mask may have been found in Quatsino, on the northern portion of Vancouver Island.

Old pole, artist unknown

Image depicts a small-scale totem pole in front of a door. The pole depicts several figures, some human and some seated. See also items a034476 - a034482 for other depictions of this pole.

Old house posts, Hope Island

Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."

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