[Photographs - Jin Wah Sing, Ching Won, and MOA team]
- 21-2-L-227
- File
- 1993-1995
Part of Elizabeth Johnson fonds
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[Photographs - Jin Wah Sing, Ching Won, and MOA team]
Part of Elizabeth Johnson fonds
[Photographs - Jin Wah Sing, Ching Won]
Part of Elizabeth Johnson fonds
[Photographs - Jin Wah Sing, Chinese Cultural Centre]
Part of Elizabeth Johnson fonds
[Photographs - costumes and objects]
Part of Elizabeth Johnson fonds
[Photographs - A Rare Flower exhibit opening and installation]
Part of Elizabeth Johnson fonds
[Photographs - A Rare Flower exhibit objects and costumes]
Part of Elizabeth Johnson fonds
[Photographs - A Rare Flower; donation of costumes from Jin Wah Sing Musical Association]
Part of Elizabeth Johnson fonds
File contains images of objects used in the exhibit.
File contains images of a painting created by Patricia Richardson Logie. The painting depicts a portrait of Blanche MacDonald. In addition, are images of the opening of the exhibit <i>Chronicles of Pride</i> in the great hall of the Museum of Anthropology.
File contains images of urns. Some of the images show close-ups of the patterns on the urns.
Subseries contains images of objects in the exhibit <i>Sensibilities: Unsuspected Multicultural Harmonies</i>. Images show the exhibit displays and objects in the exhibit.
File contains images and close up images of woven textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i> at the Museum of Anthropology, UBC.
File contains images of First Nations leaders: Chief Joe Mathias and Mary Hayes.
Part of Eric Parker fonds
The series consists of over 600 hundred black-and-white photographs and negatives that relate to Lt. Col. Parker and his wife’s time in Tibet (1921- 1924), and a collection of more recent colour photographs of Tibetan objects that were collected by the couple. The majority of the b&w photographs were taken by Lt. Col. Parker during his military period, as well as the year following his release. The images depict military scenes, festivals and events, individual and group portraits, as well as various landscapes and architecture. Significant among these photographs are images of: the photographer who accompanied famed British climber, George Mallory; the Dalai Lama’s personal escort; and the first Lhasa Apso dogs out of Tibet. A small number of images (e.g., those of the Dalai Lama in 1910-1911) predate Lt. Col. Parker’s time in Tibet and are believed to have been given to him by some unknown person(s). The original photographs were not labelled; however, valuable contextual information has been provided by Father Donald, whose descriptions and commentary accompany a large number of these images (see Item List).
The prints are located in two photograph albums identified as Photograph Collections A & B. Photograph Collection A contains 243 b&w photographs, all of which are considered to be original prints. Although duplicates of images occur, these simply represent copies developed on different paper. It was reported (by Father Donald) that the last 48 photographs in this album were found loose and spread throughout Lt. Col. Parker’s papers. A total of 189 prints in Photograph Collection A have acetate negatives. Collection B contains 170 b&w photographs, of which all are considered original prints. A total of 67 b&w prints in Photograph Collection B have acetate negatives. Collection B also contains 74 colour photographs of artefacts to which there are no negatives. Duplicates of 68 b&w prints exist between the Photograph Collections A & B.
The series also includes 210 b&w negatives which correspond in number and sequence to print images found in Photograph Collection A: 193 negatives have corresponding prints; 17 negatives have no prints associated with them. A small number of negatives are duplicated. There are no negatives for the colour prints.
Accompanying the series is one compact disc (CD No. 5) consisting of 243 scanned b&w prints and 104 scanned negatives. The scanned prints also correspond in number and sequence to print images found in Photograph Collection A. Ten of the scanned negatives have acetate negatives but no prints associated with them; one scanned negative has neither acetate negative nor print (see Item List).
Part of Madeline Bronsdon Rowan fonds
Series consists of photographs, negative and slides documenting activities of the Museum of Anthropology. Most activities took place at the museum, but some took place elsewhere. The activities documented include exhibit openings, exhibit preparation, celebrations, artists working, presentations, conferences, workshops, and notable guests.
Slides in subseries 1-5 are stored in five binders, arranged chronologically. Photographs, negatives and slides in subseries 6-8 are stored in boxes, arranged according to the events they depict. Slides in subseries 9 are stored in a box, arranged topically.
Public Programming and Education. University of British Columbia. Museum of Anthropology.
File contains images of paintings of popular Indian art from exhibit <i>Calendar Prints: Popular Art of South India</i>.