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Two women and a female child stand at the bottom of some steps that lead to a church.

Three men stand posed for the camera. The man copy left is the same individual from the previous print wearing western-style clothing. The men standing in the centre and copy right wear traditional attire. Additional individuals stand on either side of this group, not fully visible here.

Seven men stand posed in front of a wooden structure. Four wear native clothing; three wear western-style dress.

This view depicts a bridge across a body of water with mountains in the distance. The bridge appears to be only partially completed.

This view depicts a horse standing in a river carrying two riders. The riverbank in foreground and mountains in the distance are snow covered.

This view depicts a woman standing next to a tipi-like tent structure in the mountains. A table stands in front of the tent. A clothesline can be seen on the left side of the copy print. Trees and mountains surround this open area.

Four men on horseback cross a river with four other horses carrying packs. At the river's distant shore trees and a tent-like structure are visible.

Five men dressed in native clothing stand facing the camera. One man carries a long, rectangular object. Trees or bushes visible in background.

Image depicts two poles standing in an open area. The front pole features a human-like creature on visible portion. The back pole also includes a human figure at the bottom with an owl on top. The figures on the bottom may be crest figures (Leading In or Halfway Out) or a Man of the Wild. Read's note suggests that one of these may be a Pole of Hrkyadet at Kispiox.

Image depicts three totem poles, standing in an open area. Read's note under this photo indicates that the pole on the left may by a Snag-of-the-Sand-Bar pole from the House of Chief Skogum Laxhe. The pole on the right may be Chief Laxhe`s Hat-of-Tsagyem-hanak Pole. See also item a034837 for a closeup of the Snag-of-the-Sand-Bar pole.

Image depicts a carving of a creature that resembles a bear--with fins. The carving sits on a wooden structure, possibly a carver's bench. Several buildings can be seen behind the carving platform.

Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Handwritten inscription on the verso reads "This is a Indian Village in Masset B. C. at the turn of the century. As you can see there are a lot of wooden shacks, totem poles and canoes. it is a very wild and remote area [redacted]. grandfather Crosby used to travel to these remoat [sic] villages by canoe." Image appears to be reproduction of a039351.

Image depicts canoes, house, house posts, and totem poles on a shoreline in Masset, Haida Gwaii, B. C. Printed around the border of the image is the photographer information "PHOTOGRAPHED BY R. MAYNARD, VICTORIA, . . . B. C." Handwritten inscription on the border reads "Massett [sic] Village Q. Ch. Is." Printed on the verso is the photographer information with the inscription "R. Maynard, Photographic Artist, AND DEALER IN ALL KINDS OF PHOTOGRAPHIC MATERIALS, COR. OF DOUGLAS AND JOHNSON STS., VICTORIA, B. C. -- Views of British Columbia and Vancouver Island for Sale." A handwritten inscription reads "Indian Totems Queen Charlotte's Island".

Photograph of three men carving totem poles that would become part of the bighouse in Alert Bay, BC.

Image depicts a totem pole erected in a farming area. It stands behind a rail fence and in front of a wooden barn. Read's notes state: "The Owl, or Grave-of-Gurhsan, form representation of the mythic owl. The pole dates from about 1913, was carved by Arthur Wilson, of Larksail phratry."

Image depicts a close up of a totem pole, depicting the face of a human-like figure at its base. Read's note indicates this is the Pole of Mawlarhen at Gitsegyukla. "Raven at top; half pole uncarved; then large eagle, with folded wings; sitting frog; frog hanging with head down; bottom, the Man of the Comb whose hands, raised with palms forward are like native combs. Pole c1925, was about 40 years old. Erected to commemorate Mawlarhen and his sister Poking Bullhead. Carver local artist, Jimmy Good of the Fireweed phratry." See also item a034838 for another view of this pole.

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

Item is a hand-tinted glass lantern slide of a street with five totems. According to annotations, photograph was taken in Alert Bay.

Item is a hand-tinted glass lantern slide of a totem with a building in the background and a boat in the foreground with low tide. Based on the original order of the collection, photograph might have been taken in Alert Bay.

An image of an aerial view of the Kyuquot village. According to the documentation included with the filmstrip, the description of the image states "Kyuquot from the air. You can see Walter's Island and out into the Pacific Ocean. The next Island to the right is Aktis Island, the ancestral home of the Kyuquot Band. In the early 1800's the Kyuquot Band was the largest on the West Coast of Vancouver Island. However one night in 1855 the Clayoquots, enemies to the Kyoquots, surprised the Kyuquot Village on Atkis Isl., cut off the heads of the Kyuquot warriers, took the women as slaves, and set fire to the village. Most of the village was destroyed during this, the last tribal war fought on the West Coast of Vancouver Island. A few years ago most of the Kyuquot Band left Atkis Island and moved into Walter's Cove."