21 resultados con objetos digitales Muestra los resultados con objetos digitales
Signed Without Signature: Works by Charles and Isabella Edenshaw
[Northwest Coast native research] (2 of 8)
Parte deWilson Duff fonds
File consists of Duff's personal look at symbolism in Haida art.
[Northwest Coast native research] (3 of 8)
Parte deWilson Duff fonds
File consists of Duff's look at meanings and symbolism in Haida art.
[Northwest Coast native research] (8 of 8)
Parte deWilson Duff fonds
File consists of Duff's look at form and meaning in Haida art.
[Northwest Coast native research] (1 of 6)
Parte deWilson Duff fonds
File consists of Duff's notes on the search for meaning in Haida art.
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World."
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
A bentwood box by Charles Edenshaw. The museum catalogue number on the slide label is incorrect and should read A9416. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
File contains copies of Edenshaw's timeline.
Parte deWilson Duff fonds
File consists of correspondence from 1966 and 1967 between Wilson Duff and K.O.L. Burridge, of the Pitt Rivers Museum, regarding Haida potlatch masks. Included is correspondence from 1902 between Franz Boas and E.B. Tylor, which notes a discussion between Charles Edenshaw and John Swanton. The file also consists of b&w photos of the masks and the article "The Haidas," from Harper's New Monthly Magazine, dated June-November 1882.
Smithsonian [Institution] trip
Parte deWilson Duff fonds
File consists of correspondence from 1969 between Wilson Duff and staff at the Smithsonian Institution regarding its Northwest Coast collection. Included are James Swanton's notes about items he collected in 1875 to be exhibited at the 1876 Centennial Exposition in Philadelphia.
[Northwest Coast native research] (1 of 8)
Parte deWilson Duff fonds
File consists of Duff's personal look at symbolism in Haida art.
[Northwest Coast native research] (4 of 8)
Parte deWilson Duff fonds
File consists of Duff's personal look at iconography and symbolism in Haida art.
[Northwest Coast native research] (5 of 8)
Parte deWilson Duff fonds
File consists of Duff's personal look at symbolism in Haida art.
[Northwest Coast native research] (6 of 8)
Parte deWilson Duff fonds
File consists of Duff's look at myth and symbolism in Haida art.
[Northwest Coast native research] (7 of 8)
Parte deWilson Duff fonds
File consists of Duff's look at the art in Haida logic.
[Northwest Coast native research] (4 of 6)
Parte deWilson Duff fonds
File consists of Duff's personal notes on space in Haida art.
[Northwest Coast native research] (5 of 6)
Parte deWilson Duff fonds
File consists of Duff's notes on symbolism in Haida art.
Final lecture of Anthropology 301, April 3, 1974, “Resurgence of Indian Culture”
Parte deWilson Duff fonds
Item is an audio recording of a lecture given by Wilson Duff on the “Resurgence of Indian Culture.” On side A, Duff speaks on the failings of colonialist education systems, First Nations traditional knowledge, and his interpretations of Haida art. Works discussed include a Raven rattle and a chest carved by Charles Edenshaw. Side B continues with Duff’s observations on government interest in, and appropriation of, First Nations art and culture as symbols of Canadian identity, and cultural repatriation.