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Salish

File consists of photographic prints depicting Salish cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for Canada Museum of History Object ID VII-G-359 and MOA Object ID A1780; A1781; A50003; A50004; and A50005 a, b, & c in MOA's Great Hall.

Tsimshian songs recorded by Dr. Viola Garfield

Item is a recording of Tsimshian songs recorded by the American anthropologist Dr. Viola Garfield (1899-1983) of the University of Washington. The songs in this recording were sung by Matthew Johnson (ca. 1867 - ?) who was one of the leading lineage heads of the G-spaxlo-‘ts tribe, and a great admirer of the lineage of the Tsimshian chief, Legaic” (Legaik, Legex). The title Legaic was carried by at least four chiefs of the Tsimshian Eage Clan. The last-known individual to carry the title took it in 1938.The cylinder numbers referenced during the recording are #14561, #14562, #14563, #14564 .

The Dr. Viola Garfield fonds is housed at the University of Washington Special Collections. She carried out field work in the summer of 1932, 1935 and 1937 at the Tsimshian village of Port Simpson, British Columbia. An Ediphone machine provided by the University of Washington Anthropology Department was used to record and store the songs on wax cylinders, which were deposited at the University. The recordings were transferred to the open reel format in 1971. More information is available in Dr. Viola Garfield's book Tsimshian Clan and Society (1939), available in the MOA Reading Room, call number 12.7 TSI GAR.

A document that accompanied this recording contains the following text:
Document text:
Cylinder 14561
000 - Song # 1 - Matthew Johnson - marriage song composed for the wedding of Legaik’s sister to ni•s nawa•
030 - Song # 2 - Matthew Johnson - entertainment and potlaching song, a song belonging to Legaik
080 - Song #3 - Matthew Johnson - supernatural power song ni•s nawa, Sky Spirit
137 - Song #4 - Matthew Johnson - a winant secret society power song belonging to ni•s nawa• Kilutsan chief
168 - Song #5 - Matthew Johnson – a secret society song or ludzista•l song
Cylinder 14562
190 - Song #6 - Matthew Johnson, a dog eater society song. nute•m, ni•s nawa, giluska’u
255 - Song #7 - Matthew Johnson –
300 - Song #8 - Matthew Johnson - boasting song for potlatch of Legaic’s tribe
Cylinder 14563
385 - Song #10 - Matthew Johnson - supernatural power song. Legaik, wiskani•st
475 - Song #11 - Matthew Johnson - dirge ni•s nawa• limkoi
530 - Song #12 - Matthew Johnson - dirge gispaxbts, gilutsa’u
588 - Song #13 - Matthew Johnson - dirge
Cylinder 14564
614 - Song #14 - Mrs. Marsden (sp.?) – wolf clan song of kitsees
665 - Song #15 - Mrs. Marsden - song belonging to the supernatural power name lugaxli’bam laxha belonging to ni•syagane•t
774 - Song #16 - Mrs. Marsden - ni•sgune (gitsecs) supernatural power song
825 - Song #17 - Mrs. Marsden – supernatural (naxnog) power song, house of welk

Tsimshian and Tillamook Coast Salish songs recorded by Dr. Viola Garfield

Item is a recording with two distinct parts. The first part of the recording features Tsimshian songs recorded in 1932 by the American anthropologist Dr. Viola Garfield (1899-1983) of the University of Washington. The songs in this recording were sung by Lewis Grey (1857-1934) who was born in Port Simpson and was recognized as a shaman by the Nass River tribes and upper Skeen River people. The cylinder number referenced during the recording is #14573. The Dr. Viola Garfield fonds is housed at the University of Washington Special Collections. She carried out field work in the summer of 1932, 1935 and 1937 at the Tsimshian village of Port Simpson, British Columbia. An Ediphone machine provided by the University of Washington Anthropology Department was used to record and store the songs on wax cylinders, which were deposited at the University. The recordings were transferred to the open reel format in 1971. More information is available in Dr. Viola Garfield's book Tsimshian Clan and Society (1939), available in the MOA Reading Room, call number 12.7 TSI GAR.

The second portion of the recording starts at 8:26, when an unidentified male speaker states that the remainder of the tape are Tilamook recordings made by Prof Melville Jacobs of the University of Washington recorded in the Winter of 1933 using an Ediphone cylinder. The speaker states that the first three songs are Tillamook Coast Salish North West Orgeon songs, sung by Clara Pearson, the informant of Elizabeth Jacobs in late 1933, and recorded at Garibaldi, Oregon. The speaker states that two songs are possibly in one of the Muckleshoot Reservation dialects. The speaker states that Song 1, Tit Willow, is possibly sung by the American anthropologist Dr. Erna Gunther.

Accompanying documentation for this recording contains the following text:
B. Johnstone, November 15, 1971
Tsimshian Songs Recorded by Viola Garfield
Tape Two
000 - Song #18 - Louis Gray - Taunting Song
100 - Song #19 - Louis Gray - Nursing Song
145 - Song #20 - Louis Gray - Dancing Society song
180 - Tillamook recordings made by Jacobs in Garabaldi, Ore., 1933.
Ni-sgane’-s are a ganhada chief house of the ginad‚iks tribe

Wilson Duff interview with Jonathan Johnson at Kispiox

Item is an audio recording of an interview by Wilson Duff with Jonathan Johnson about the geography of the Gitxsan village of Kispiox and surrounding region. According to Tribal Boundaries in the Nass Watershed by Neil J. Stewart (MOA Reading Room, call number 12.7c GIT STE), Jonathan Johnson (1902-1968) of Kispiox was from the House of Xhliimlaxha and had knowledge of territories in the Nass watershed, including his father’s territory at Gwinhagiistxw. In interviews that took place on July 6 and 7, 1965, Duff gathered information about house territories in the Nass and Skeena watersheds to produce a map showing territories and numbered sites at Kispiox, see the Wilson Duff fonds at MOA, Box/File# Mc15, File# 10-B-21.

Narrative and Songs from Fort Fraser, Hagwilget, Kispiox, Shuswap

Item is an audio recording made by Wilson Duff that features narrative and songs spoken and sung in several First Nations languages.

The first segment of the recording took place on August 1, 1962 in Fort Fraser at the home of Maxime George and the language used is Dakelh; accompanying documentation states that Mr. George was away but his sister Bernadette Grey was present along with Mrs. George and her sister.

The second segment of the recording took place on August 3, 1962 in Hagwilget at the house of Pete and Bernadette Grey and the language used is Dakelh; accompanying documentation states that the main singer is Donald Gray and his wife.

The third segment of the recording took place on August 16, 1962 featuring Johnson Williams, who has a Kitwancool name of Guano and the language used is Gitxsan.

The fourth segment of the recording took place on August 16, 1962 featuring Maxime George. The fifth portion of the recording is a Kitwancool recording. The final segment of the recording features Shuswap songs.

A two page document accompanied the recording. Document text:
Carrier

  1. Fort Fraser, Aug 1, 1962. W. Duff at home of Maxine George. He was away, but his daughter Bernadette Gray, her sister, and Mrs M George were present.
    (1) Song. Same repeated
    (2) Song (very short)
    (3) Song
  2. Hagwilget, Aug 3 1962. At house of Pete and Bernadette Gray. Main singer old Donald Gray (94). His aged wife (104) also present.
    (4) Song (Sun Song)
    Not transcribed Song
    Talk about names
    (5) Song, then talk about languages
    not transcribed Song
    (6) Song, then talk of moon, explaining song
    Song, then explained Sun is traveling in the sky. Talk about peacemaking forgets next song, talk about languages
    (7) Song. Sung song, for making peace
    Song. Long song, then explained. END
  3. Kispiox August 16, 1962. John Williams, who has Kitwancool name Guno. Gitksan.
    (8) Tells Neegamks story in English, includes singing of Neegamks song
    (9) Love song
    (10) Song for welcoming guests
  4. Kispiox, same time as above. Jonathan Johnson sings his direge song
  5. Fort Fraser, August 16 1962. Maxine George, others as above, 1.
    Lahal Song
  6. Song, break, then same song to end of tape
    (reverse tape)
  7. Automobile song interpreted by Bernadette
    Hudson Bay Rum song
    Maxine George tells story of origin of mosquitoes in English
    Then same in Carrier
    Same, origin of fire, water, daylight in English
    Hymn in Carrier, repeated
    Another hymn
  8. Kitwancool recording, self explanatory
  9. Shuswap songs, self explanatory

Lecture on Women and bears, February 26, 1974

Item is an audio recording of a lecture given by Wilson Duff on “Women and Bears.” Duff uses the story of the woman who married a bear, represented in a Haida sculpture, to frame a discussion of the disenfranchisement of First Nations women under the Indian Act, the Lavell case (AG v. Lavell, 1971) and the Bedard case (R v. Bedard, 1973), and Haida and Nisga’a art. Lecture is recorded on both Side A and Side B.

Final lecture of Anthropology 301, April 3, 1974, “Resurgence of Indian Culture”

Item is an audio recording of a lecture given by Wilson Duff on the “Resurgence of Indian Culture.” On side A, Duff speaks on the failings of colonialist education systems, First Nations traditional knowledge, and his interpretations of Haida art. Works discussed include a Raven rattle and a chest carved by Charles Edenshaw. Side B continues with Duff’s observations on government interest in, and appropriation of, First Nations art and culture as symbols of Canadian identity, and cultural repatriation.

Tsimshian files

Research notes compiled by Wilson Duff during his work on the Barbeau/Beynon material held at the National Museum of Canada (now Canadian Museum of History). This research, focused specifically on the Tsimshian culture, includes correspondence addressed to and/or written by Duff, files relating to the Nishga Land Claim of which Duff was involved as a witness, and typed manuscripts.

Vickie Jensen and Jay Powell fonds

  • 3
  • Fundo
  • 1969-2008

Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh

Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.

The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.

Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:

  1. Quileute
  2. Chinook Jargon
  3. Kwak’wala (U’Mista)
  4. Gitxsan
  5. Nuu-chah-nulth
  6. Salishan
  7. Shuswap
  8. Haisla
  9. Tait
  10. Northwest Coast artists
  11. Northwest Coast groups
  12. UBC totems/events
  13. Publications

Sem título

Paddling to Where I Stand collection

  • 138
  • Coleção
  • 1979 - 2003

Collection illustrates the gathering of information and writing of the book “Paddling to Where I Stand : Agnes Alfred, Qwiqwasutinuxw Noblewoman.” Includes interviews to Agnes Alfred conducted by Martine J. Reid and Daisy Sewid-Smith between 1979 and 1985. Interviews are documented as audio and video recordings and their written transcriptions, and other materials gathered by Martine J. Reid and Daisy Sewid-Smith for the edition and publication of the book. Collection also contains the manuscripts and draft for the book; correspondence between Martine J. Reid, Daisy Sewid-Smith and other people; eulogies and funeral pamphlets; Agnes Alfred’s family information; historical notes; and miscellanea. Collection includes photographic materials with photographs included in the book and additional photographs gathered by Martine J. Reid and Daisy Sewid-Smith during their research, and portraits of Agnes Alfred’s parents.

Sem título

MOA Magazine, Issue 08, Fall 2019

This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.

MOA Magazine, Issue 06, Fall 2018

This issue contains articles on current and upcoming exhibitions, Great Hall seismic upgrade renovations, Carol E. Mayer's trip to the island of Erub, volunteer Marcie Powell's work on textiles, contemporary art in the Multiversity Galleries, Debra Sparrow's weaving at the museum, the raising of a new Raven Pole at Wuikinuxv Village, the Volunteer Associates enrichment trip, the Native Youth Program, and an interview with Ann Stevenson, retiring Information Manager.

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol III No 1, September 1997

The newsletter contains 9 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the appointment of Dr. Ruth Phillips as MOA director, financial support from the federal government, the launch of a new certificate in Museum Studies, the repatriation of a sacred wooden image, Ahayu:da (War God), to the Zuni people, Dr. Marjorie Halpin's CD ROM-based project about the Mountain Eagle Totem Pole from Gitanyow, the Asia Pacific Economic Cooperation (APEC), carpet replacement, new staff member Darlene Chu, and a research grant awarded to Kersti Krug. Also included is a Calendar of Events.

MOA News: The Newsletter of the UBC Museum of Anthropology, January-April, 1998

The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the exhibition Recalling the Past: A Selection of Early Chinese Art from the Victor Shaw Collection and MOA's Asian collections, Stó:lō Chief Frank Malloway, events related to the Asia Pacific Economic Cooperation (APEC), MOA's new collections management system, an award of merit granted to the production team of From Under the Delta, the publication of The Potter's Art edited by Carol Mayer, and the launch of a multi-museum admission program called The Great Escapes. Also included is a Calendar of Events.

MOA News: The Newsletter of the UBC Museum of Anthropology, Vol II No 3, May 1997

The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the erection of new house posts and an ancestral figure by Susan Point, a new school programme co-developed with the Musqueam Nation, the retirement of MOA director Dr. Michael Ames, the launch of MOA's first website, the continuation of Dr. Marjoire Halpin's multimedia project, and the donation and display of Ainu objects. Also included are a Calendar of Events and list of donors.

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