Photograph of a painting by Rudy Kovach, showing the Haida House complex at MOA. The painting was likely produced as part of the planning process for the Haida House complex.
View of Ginza Main Street in Tokyo, looking north towards 3-chōme and 4-chōme, circa 1910, from atop the Hattori Clock Tower. Note the Kyōya Clock Co. Ginza clock tower and the Iwaya Shōkai tobacco store on the right
Item is a photograph showing people dressed up as warriors for a parade celebrating the proclamation of the Meiji Constitution in 1889 in front of building in Tokyo. A label on the glass slide reads, "The Japanese Army of 100 Years Ago”, but this is not the accurate description of the scene.
Item is a photograph showing a stone building in a snowy scene. Image was featured in the publication Jinzan Chisuichō (仁山智水帖), published by Mitsumura Shashinbu (光村写真部), 1902.
Three photographs donated by carpenter who worked on the installation of The Raven and First Men at MOA. One photo shows him (Ernie Forsyth) next to the sculpture. The other two photos are from the sculpture unveiling with Prince Charles speaking. Photos have additional notes from donor on the back, and in the envelope that photos were donated in (saved with the photos).
The fonds consists of materials related to Fuyubi Nakamura's role as Curator of Asian Collections at the Museum of Anthropology (2014-present). Currently this exclusively relates to records of the exhibit (In)visible: The Spiritual World of Taiwan through Contemporary Art/形(無)形-台灣當代藝術的靈性世界 (November 20, 2015 – April 3, 2016).
File consists of a copy of (In)visible; The Spiritual World of Taiwan Through Contemporary Art (MOA Museum Note #43) which is from the second print run, and which was used for display in the exhibit. File also contains a copy of (In)visible; The Spiritual World of Taiwan Through Contemporary Art (MOA Museum Note #43) which is from the original print run, and is incorrectly bound. The quality of printing paper is different.
File consists of a collection of media (advertisements, articles, reviews) which mention or relate to the (In)visible exhibition. Media are from Canada and Taiwan.