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File consists of photographs and negatives of carved wooden box, poles, and stone plates and pipes. Artefacts pictured are of Haida design.

File consists of photographs of chests and box, plates, panel pipe, figures and groups, Kiusta pole, canoe, and skin robe. Includes letter from Audrey Hawthorn about U.B.C. Haida box and U.B.C. comb; and note about pipe photographs.

File consists of ms. and typed photo lists. Includes: lists of black and white photos, by negative number; general descriptive list of contents of slide cases 1-20, with a breakdown of specimen and exhibit slides; summary of the total number of slides for different artifacts, by type of object and number of slides; lists, by negative number, of photographed artifacts in the National Museum of Canada; lists of photographs taken in the American Museum of Natural History, United States National Museum, and Field Museum; lists and catalogue numbers of AMNH objects; information taken from loan agreement forms identifying objects by collection and catalogue number; and information for loan agreement forms. Artefacts pictured are of Haida design.

File consists of textual records and 5 photographs. Images of Stone Bowl. 2 - Headed Fish bowl. Northwest Coast Indigenous. Bottom, side, front and top views. Black and White. 5" x 7" prints.

File consists of textual records and 5 photographs. Image of Stone Bowl. Zoomorphic Bowl, Beaver. Northwest Coast Indigenous. Back View. Black and White. 3 1/4" x 4 1/2" prints.

File consists of textual records and 6 photographs. Images of Totem Pole. Wood, Northwest Coast Indigenous. Black and White. 4 3" x 4 1.2" prints and 2 8" x 10" prints.

File consists of textual records and 5 photographs. Image of Totem Pole. Wood, Bill Reid Haida Pole, Totem Park, Vancouver British Columbia. Front and close-up views. Black and White. 4 5" x 7" prints and 1 8" x 10" print.

File consists of textual records and 4 photographs. Image of Totem Pole. Wood, Hiellen Tribe. Now located in Prince Rupert. Close-up View. Black and White. 3" x 4 1/2" print.

File consists of Images of Carvings. Stone. Now Located in the Campbell River Museum, British Columbia. Black and White. 3 1/2" x 5"; sculpture of head. Possibly Northwest Coast Indigenous . Side View. Black and White. 4 4 1/2" x 3 1/4" prints; Image of Carving. Stone, sculpture of head and face. Possibly Northwest Coast Indigenous . Front View. Black and White. 15 4 1/2" x 3 1/4" prints from various angles; Image of Carved Bowl. Stone, Frog Bowl. Smithsonian Institution, Washington, D.C. Black and White. 5 4 1/2" x 3 1/4" prints; Image of Carved Mask. Stone, Tsimshian Tribe. National Museum of Man, Ottawa. One of a twin pair. Eyes closed. Front View. Black and White. 5 8" x 10" prints; Image of Carved Mask. Stone, Tsimshian Tribe. National Museum of Man, Ottawa. Both Masks of a twin pair. One mask has eyes closed, one has eyes open. Side/ Back View. Black and White. 8" x 10" print; Image of Carved Mask. Stone, Tsimshian Tribe. National Museum of Man, Ottawa. One of a twin pair. Eyes open. Front/ Side View. Black and White. 3 8" x 10" prints; Image of Carved Bowl. Stone, seated figure holding bowl. 10" high. From Centennial Museum, Vancouver, B.C. Black and White. 8" x 10" print; Image of Carved Bowl. Stone, anthropomorphic bowl/mortar. Smithsonian Institution, Washington, D.C. 12 1/2" diameter, 7 3/8" deep, 5 1/2" high. Features carved faces. Black and White. 8" x 10" print; Image of Carved Bowl. Stone, seated figure bowl. 5 3/4" high. From British Columbia Provincial Museum, Victoria, B.C. Black and White. 8" x 10" print; Image of Carved Bowl. Stone, Raven bowl/mortar. 12 1/2" x 7 1/4" statue. From British Columbia Provincial Museum, Victoria, B.C. Side/Front View. Black and White. 8" x 10" print; Image of Carved Bowl. Seated human figure with rattlesnakes. 15" high. Side View. Black and White. 4 8" x 10" prints.

Slides of artifacts, places, events, exhibits, air views, and unknown First Nations people. Also included are slides relating to museum history which show images of sketches and models for the new Museum of Anthropology, construction views, totem pole raising, the museum opening in 1976, and museum staff. Most of the slides were taken by Duff, although some were acquired from others or purchased. Accompanying textual material includes a letter about artifacts, slide lists from boxes, lists related to the centennial totem pole program, and a text of legends.

The Art of the Raven (VAG) 1. File consists of slides taken at Vancouver Art Gallery from May-June1967. Includes: slate panel pipes, figures and groups, dishes, chests and boxes, poles, rattles, chests, oyster catcher, headdresses, amhalaits, frontlets, dishes, ladle and spoons, wood pipes, carvings and charms.

File consists of slides taken at Vancouver Art Gallery from May-June 1967 and miscellaneous art slides. Includes: masks, daggers, Kwakiutl figures, designs, textiles, Raven Screen details, painted Duff box, drums, spindle whorls, rattles, spoons, Kwakiutl masks, work of Mungo Martin,work of H. Hunt, work of Bill Holm, work of Bill Reid, U.B.C. panel pipes, U.B.C. slate dish, chests, Haida dishes and comb. Note: Slides in section C-c are duplicates. Artefacts pictured are of Haida and Kwakiutl design.

File consists of slides including: views of Hazelton, views of Kiusta, views of Fort Fraser, views of Stuart Lake, views of Babinetown, Skeena and Bulkley scenery, Moricetown fishing, poles, Fraser Lake poles, Prince Rupert poles, 1962 helicopter trip, Cassiar cannery , canomiaks[?], whaling. Note: Slides of places, taken in 1960 and 1962, have been added. Slides of Kitwanga and Kispiox listed in index poles appear to have been moved later by Duff to case 17; those of Fort Rupert appear to have been moved to case 16.

File consists of slides showing poles by a number of different carvers. Includes: Sam Henderson, Henry Hunt, Tony Hunt, C. Dudoward, S. Modeste, S. Charlie, J. John, J. James, S. Walkus, W. Jeffrey, Alert Bay carvers, U.B.C. Totem Park Haida poles, Victoria museum,carving tools, ferry shots. Note: Includes lists of argillite slides, centennial totem pole programme carvers and judges, and text of legends. Argillite slides have been added; these are duplicated in part in case 18.

File consists of slides including: Bella Bella and Nootka poles, Juneau, Sitka, and Nanaimo poles, Port Hardy poles, Stanley Park poles and canoes, Mt. Currie housing, views of Rebecca Spit and Cape Mudge, aerial views, archaeological digs, sculpture, labrets, relief maps, Petroglyph Park, Skagat Attatl, George Clutesi Mungo poles, Provincial Museum at Victoria, Thunderbird Park. Note: Slides of Saanic have been added to section E-25.

File consists of slides including: Vancouver and U.B.C., Curtis Kwakiutl slides, Haida and Kwakiutl villages and groups; portraits, Port Simpson and Metlakatla scenery; maps. Note: Slides of Hazelton and Nootkans added in section B, slots 24 and 25. Photos of Charles Edenshaw added in section D. Includes 1 glass slide.

File consists of slides including: Lipsett Collection chest and box, U.B.C education totem, Edenshaw bracelet and gravestone rubbings, Koerner panel pipe, trip to Masset.

File consists of slides including: Borthwick bracelet, Duff mask, Smithsonian specimens, slides taken by Bill Reid, miscellaneous slides taken in Washington, D.C., slides from Art of the Raven. Note: Includes list, by frame number, of Reid’s slides. Some slides in section E-a, and most in section D-e, are duplicates.

File consists of slides including: British Columbia scenery, National Gallery exhibit of Northwest Coast artifacts, Montreal, Mystic Seaport, American Museum of Natural History specimens. Note: Slide of shaman mask, not included in index, but marked "1970-1-F," added to section F.

File consists of slides including: United States National Museum specimens, exhibits at Milwaukee, Chicago, Philadelphia. Images include panel pipes, Bear Mother sculptures, carved plates, slate poles, model houses, masks, ladles and bowls. Artefacts pictured are presumed to be of Northwest Coast Indigenous design.