Affichage de 39 résultats

Subjects of this sub subseries include:

• Working in the old Museum of Anthropology in the library basement
• Construction of the Haida House, including Doug Cranmer and Bill Reid carving poles
• Various displays in the new Museum of Anthropology building
• Totem Pole Preservation Committee investigating and removing poles
• Totem Poles on University Boulevard and in Totem Park
• Expo 1967 images, extensive photography of many pavilions
• Opening exhibition of the Vancouver Centennial Museum, curated by the Museum of Anthropology
• Children's programs at the Museum of Anthropology in the late 1970s, notable is the program for visually impaired children

Sub subseries consists of photocopies of photographs and sketches of totem poles and other carvings from the MOA Great Hall which were used to create object labels. Many of the photographs show the carvings in their place of origin or on display at MOA.

Materials in this sub subseries consist largely of photographs taken by McLennan and research assistants (J.L. Gijssen and Mila Cotic) of bent wood boxes and other artifacts that would benefit from infrared photography as part of the transforming image exhibit. These photographs were all taken at various museums and institutions that were visited by McLennan, or if photographs of the artifacts existed, McLennan received copies of these from various institutions.

ref # 1-1-MMM-d

Sub subseries consists of administration records including correspondence, information requests, public relations files, grant application information, budget information, papers, conferences and publications about Transforming Image.

Series includes photographs and other graphic materials related to the editing of the book

Sub subseries consists of records related to Clavir’s training of conservation interns at the Museum of Anthropology. Much of the funding for internships came from the Museum Assistance Programme (MAP) which was established by the former National Museums of Canada (currently supported by the Department of Canadian Heritage). The sub subseries also includes records related to a search for funding through MAP and provincial government sources for a new conservator position, the establishment of a laboratory conservator position (1993), as well as student reports on internships sponsored by both MAP and the Getty Conservation Institute.

Included are: correspondence, memoranda, reports, application forms, cost summaries, funding contracts, handwritten notes, and one published discussion paper to help develop policy for conservation assistance through the Museum Assistance Programme.

Sub subseries consists of records related to Clavir’s involvement with the visible storage area of the museum, predominantly from a conservation perspective. Most files relate to a new case in the Kwakwaka’wakw area, as it was the end result of a plan to upgrade the entire visible storage area.

Included are: copies of early articles and reports, grant and architect proposals, staff meeting minutes, photographs, and development & working files.

This sub subseries includes images on the following subjects:

• Exhibitions of the Museum of Anthropology from the 1950s through the 1960s
• Staff and students working in and packing up the Museum of Anthropology's old location in the library basement
• items being moved into the new Museum of Anthropology
• Photographs of masks and other objects for the Claude Lévi-Strauss book "The Way of the Masks"
• Photographs of the National Museum of Anthropology in Mexico City

Sub subseries contains the Totem Pole Files, as put together by Don Bain. Material in the Totem Pole Files was compiled by Don Bain from the MOA Archives, UBC Special Collections, UBC Library, the Royal British Columbia Museum, the British Columbia Archives, and the Department of Indian Affairs, as well as information from MOA staff. Record types include photocopies of photographs, catalogues, accession files, research files, technical files, historical correspondence, internal memos and reports, and committee meeting minutes. Most records collected by Don Bain date from between 1920 and 1980.