Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."
Item is a photograph of a procession of people (men, women, children) in ceremonial dress (button blankets, headdresses) walking away from the ferry terminal dock [?] in Alert Bay. The procession is led by Mungo Martin and Daisy Neel. A man dressed in regular clothes, smoking a pipe looks on from the left.
Item is a photograph of three young women, and two young girls standing in ceremonial dress (button blankets; carved and painted [wolf?] mask; and headdresses made of woven cedar, weasel(?), abalone, and eagle feathers). They are gathered for an event celebrating British Columbia's centennial in Alert Bay in 1958. Daisy Neel is in the centre wearing the frontlet and her twin sisters are the young girls in front of her. Emma Sewid [Seewid; Seaweed?] and Mabel Sewid [Seewid; Seaweed?] are on either sides of them.
Item is a photograph of four men dancing in ceremonial dress (button blankets, carved [eagle?] mask with cedar strips) performing a ceremonial dance in front of a crowd of on-lookers. The man second from the left is Willie Sewid [Seaweed; Seewid?].
Item is a photograph of a crowd of people in ceremonial dress and regular clothes watching two people performing a mask dance. One person wears a crooked beak [four-faced?] mask while the other is wearing a button blanket and headdress. Willie Seewid [Seaweed; Sewid?] is the man on the left looking at the dancer - noted by William Wasden Jr., 2005/02/22.
Item is a photograph of two men performing a dance while a crowd watches. The man on the right in ceremonial dress (button blanket, cedar bark headdress) is Willie Seewid [Seaweed; Sewid?], who carved the crooked beak mask with cedar strips that is worn by the other dancer on the left.
Photograph of a woman identified as Mrs. Sewid and four younger women identified as her daughters. All five of them are in ceremonial dress. They are standing outside, with a group of spectators behind them. It is not clear what type of event they are at. A stamp on the verso of the print indicates that it was printed in 1958.
Item is a photograph of a procession of people walking down a road in Alert Bay in ceremonial dress (button blankets, headdresses) and regular clothes. Mungo Martin and Daisy Neel lead the group in the front row.
Item is a photograph of men gathered together for an event celebrating British Columbia's centennial in Alert Bay in 1958. They are sitting down in front of a painted wall and some are wearing ceremonial dress, such as button blankets and woven cedar headbands. A drum and a painted dance screen [thunderbird?] on fabric are also visible. Men in the photograph include: Charles Nowell, Billy Assu, and George Scow.
Image depicts a painting of D'zonoqua, done in red and black on white. Additional notes indicate this work was painted by Douglas Cranmer in 1964 or 1965.
