Bill Reid with Raven in MOA Rotunda
- 1-5-2 (27.2)-a035124
- Item
- [198-]
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
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Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
View Taken by Mr. Wootton from Mr. Gerds Garden
Parte deRobert Reford fonds
Item is an image of a village. According to annotations, photograph was taken by Mr. Wootton from Mr. Gerds Garden in Max?axaa?a (also known as Metlakatla).
Parte deRobert Reford fonds
Item is an image of a coastal village, taken from the sea. According to annotations, photograph is of G?aw (also known as Old Massett) in the Haida Gwaii archipielago taken from the Ship Islander.
Parte deRobert Reford fonds
Item is an image of two buildings, seven totem poles, and one cannon. According to annotations, photograph is of the house of Chief Wiah, Town Chief of G?aw (also known as Old Massett) in the Haida Gwaii archipielago.
Parte deRobert Reford fonds
Item is an image of a woman walking away from the camera with three buildings and a totem pole in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
Parte deRobert Reford fonds
Item is an image of a woman by a building. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago
House of Chief Albert Edward Edenshaw
Parte deRobert Reford fonds
Item is an image of two totem poles by two buildings. According to annotations, photograph is of the house of Chief Albert Edward Edenshaw, G?aw (also known as Old Massett) in the Haida Gwaii archipielago.
The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.
The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.
Collection consists of the following items:
001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983
Sin título
Parte deCarol Mayer fonds
File includes audio and one video of interviews for the eulachon exhibition.
Parte deCarol Mayer fonds
File includes photo slides of KIngcome Estuary and Kingcome Village. Slides also include a note and a business card indicating the photographer.
Parte deCarol Mayer fonds
File includes photographs of people fishing for eulachon.