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Totem Park English
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Eagle sculpture, Kwakwakw’wakw

Image of Kawkwakw'wakw eagle sculpture, when it was located at UBC's Totem Park. The sculpture is now part of MOA's object collection.

Anthony Carter

Memorial pole being raised in the Haida Village

Item is a colour image of Memorial pole being raised in the Haida Village at Totem Park at the University of British Columbia (UBC). The Haida house appears to the left. The double memorial pole appears to the right.

George Szanto fonds

  • 138
  • Fonds
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

George Szanto

Bill Reid watching the construction of the Haida house

Item is a colour image of Bill Reid observing the construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC). The Memorial Pole appears on the left; the Double Mortuary Pole appears on the right

Construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC

Item is a colour image of the construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC). The Memorial Pole appears on the left; disassembled Wasgo appears in the centre; the House frontal post appears in the centre; the Double Mortuary Pole appears on the right. A woman and young child appear in the left foreground

Mungo Martin working on a totem pole

Photograph of Mungo Martin working on a totem pole. This pole was originally carved by Charlie James and was later restored by Mungo Martin. It stood in Totem Park at UBC until it was moved to the Great Hall of the Museum of Anthropology.

Totem pole at UBC

A totem pole standing at UBC. This totem pole was originally carved by Charlie James and was lated restored by Mungo Martin. It stood in Totem Park at UBC until it was moved into the Great Hall at the Museum of Anthropology.

A totem pole being positioned in the Museum of Anthropology

A totem pole being positioned in the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being positioned in the Museum of Anthropology

A totem pole being positioned in the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole being lifted by a crane to move it from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

A totem pole being lifted by a crane

A totem pole being lifted by a crane to move it from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

A totem pole being prepared to be lifted

Workers gather around as a totem pole is about to be lifted from its position as part of its being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

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