Carving totem poles for Alert Bay bighouse
- 81-05-a033115
- Item
- [195- or 196-]
Photograph of a set of totem poles that will become part of the longhouse in Alert Bay, BC. These poles were carved and raised before the rest of the structure.
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Carving totem poles for Alert Bay bighouse
Photograph of a set of totem poles that will become part of the longhouse in Alert Bay, BC. These poles were carved and raised before the rest of the structure.
Killer Whale arch, Alert Bay cemetery
View of the Killer Whale Arch located at the entrance to the Kwatiul Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia. Several crosses and memorial totem poles are visible behind this archway.
Photograph of pole and gravestones in a cemetery in Alert Bay, BC.
Chief Councillor, Jam. Sewid and Tom Ohmeid, Fort Rupert
Photograph of Chief James Sewid (Kwakwaka'wakw), in ceremonial dress and holding a carved and painted staff, and Tom Ohmeid(?) of Fort Rupert.
Mildred Laurie
Carving houe posts for Alert Bay Bighouse
Photograph of two men carving a set of house posts that will become part of the bighouse in Alert Bay, BC. These posts were carved and raised before the rest of the structure.
Photograph of pole and gravestones in a cemetery in Alert Bay, BC.
Photograph of the exterior of the longhouse in Alert Bay, BC.
Mungo Martin singing Kwakwaka-wakw potlach songs
Part of MOA General Media collection
Item is a sound recording made by Dr. Ida Halpern of Mungo Martin singing Kwakwaka'wakw potlach songs including aw bone-game (lahal) song and a gambling song.
Part of Harry B. Hawthorn fonds
Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."
House posts and beam, Quatsino, BC
Part of Harry B. Hawthorn fonds
Image of the houseposts and beam of what once was a longhouse in Quatsino, BC, on the north end of Vancouver Island. These posts appear to be the same as posts now houses at the Museum of Anthropology (museum item number A50009 a-c). The poles are described on the museum's catalogue: "Two upright posts and crossbeam that were part of a large interior house frame (also see records d-f and g-h). The uprights depict sea lions carved in high relief and painted (parts a-b). Their heads are equal size to their bodies. Both part a and b have an eagle in profile within the sea lions front flippers. Part a has a top portion of a face painted on the back of its head that is part of a sisiutl that runs down the seal lions back and into its hind flipper with a serpent's head in each. The cross-beam (part c) is painted and carved as a supernatural double-headed sea lion. All parts are painted black and white with Northwest Coast stylized forms... The Klix'ken (sea lion) House was commissioned by Tza'kyius around 1906, and was the last old style house erected in Xwatis. The beams and figures stood as part of a house frame, and acted as structural supports. Figures represented on house frames were supernatural beings which the family living in the house had the right, through their history and origins, to represent."
Part of Harry B. Hawthorn fonds
Old longhouse poles, featuring Huxwhukw
Part of Harry B. Hawthorn fonds
Hope Island, Humchitt posts rear
Part of Harry B. Hawthorn fonds
Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."
Part of Harry B. Hawthorn fonds
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of a procession of people (men, women, children) in ceremonial dress (button blankets, headdresses) walking away from the ferry terminal dock [?] in Alert Bay. The procession is led by Mungo Martin and Daisy Neel. A man dressed in regular clothes, smoking a pipe looks on from the left.
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of three young women, and two young girls standing in ceremonial dress (button blankets; carved and painted [wolf?] mask; and headdresses made of woven cedar, weasel(?), abalone, and eagle feathers). They are gathered for an event celebrating British Columbia's centennial in Alert Bay in 1958. Daisy Neel is in the centre wearing the frontlet and her twin sisters are the young girls in front of her. Emma Sewid [Seewid; Seaweed?] and Mabel Sewid [Seewid; Seaweed?] are on either sides of them.
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of four men dancing in ceremonial dress (button blankets, carved [eagle?] mask with cedar strips) performing a ceremonial dance in front of a crowd of on-lookers. The man second from the left is Willie Sewid [Seaweed; Seewid?].
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of a crowd of people in ceremonial dress and regular clothes watching two people performing a mask dance. One person wears a crooked beak [four-faced?] mask while the other is wearing a button blanket and headdress. Willie Seewid [Seaweed; Sewid?] is the man on the left looking at the dancer - noted by William Wasden Jr., 2005/02/22.
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of two men performing a dance while a crowd watches. The man on the right in ceremonial dress (button blanket, cedar bark headdress) is Willie Seewid [Seaweed; Sewid?], who carved the crooked beak mask with cedar strips that is worn by the other dancer on the left.
Photograph of a woman identified as Mrs. Sewid and four younger women identified as her daughters. All five of them are in ceremonial dress. They are standing outside, with a group of spectators behind them. It is not clear what type of event they are at. A stamp on the verso of the print indicates that it was printed in 1958.
Mildred Laurie