Totem poles, etc at Museum of Anthropology
- 25-05-11-a038823
- Stuk
- 1976
Part of Anthony Carter fonds
Image of restoration works during installation at the Museum of Anthropology at UBC
Zonder titel
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Totem poles, etc at Museum of Anthropology
Part of Anthony Carter fonds
Image of restoration works during installation at the Museum of Anthropology at UBC
Zonder titel
Fragments of Halibut pole and others, U.B.C.
Part of Anthony Carter fonds
Image of carvings in a storage area at the Museum of Anthropology at UBC
Zonder titel
Totem poles, Hunts, Robert Davidson, etc
Part of Anthony Carter fonds
Image of an unidentified mask
Zonder titel
Able John & carvings, Gold River
Part of Anthony Carter fonds
Image of Able John and a young boy seated on a porch with carvings.
Zonder titel
Owekeno Village, Rivers Inlet, Xwamdasbe (Hope Island), Gwayasdums (Gilford Island) house poles
Part of Anthony Carter fonds
Image of a group of carved posts located in an unidentified area of coastal British Columbia, likely somewhere near Hope of Gilford Island.
Zonder titel
Part of Anthony Carter fonds
Image of Haida carvings on display at the Museum of Anthropology at the University of British Columbia.
Zonder titel
Part of Anthony Carter fonds
Image of Haida carvings on display at the Museum of Anthropology at the University of British Columbia.
Zonder titel
Norm Tait [and Gerry] Marks at (?), UBC
Part of Anthony Carter fonds
Image of a carving
Zonder titel
File contains photocopied images of Haida and Nuxalk masks housed at the Pitt Rivers Museum. Other textual records include information on featured Northwest Coast masks and correspondence between McLennan and the museum. The photographs contain images of masks and other Northwest Coast artifacts such as hats, combs, and carvings housed at Pitt Rivers Museum.
View of the Killer Whale Arch located at the entrance to the Nimpkish Band Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia, See also item a033244 of this same carved arch.
Model, B. Reid, Raven and Clam myth
Part of Harry B. Hawthorn fonds
Image of Bill Reid's small boxwood sculpture "The Raven Discovering Mankind in a Clam Shell," which he completed in 1970. He was later commissioned to make a much larger version of this sculpture for the Museum of Anthropology, which he titled "The Raven and the First Men."
Massive Carving Gallery, Montreal
Part of Harry B. Hawthorn fonds
Image of carvings, likely on display at the Man and His World exhibition at the site of the Expo 67 in Montreal.