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Image of totem pole and cross gravestones, with forest in the background.

Item is a hand-tinted glass lantern slide of an house and Indigenous burial site. Based on the original order of the collection, photograph might have been taken near Alert Bay.

Item is a hand-tinted glass lantern slide of an Indigenous burial site. Based on the original order of the collection, photograph might have been taken in Alert Bay.

Item is a hand-tinted glass lantern slide of a totem in a burial ground. Based on the original order of the collection, photograph might have been taken in Alert Bay.

Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.

Item is an image of several artworks. According to annotations, photograph was taken in Alert Bay's graveyard.

Item is an image of a tombsone for William Wastesecoot. According to annotations, photograph was taken at the Indigenous Peoples Graveyard, York Factory, Manitoba.

The majority of the file contains historical images of the Tsilhqot'in, Secwepemc, Stl'al'lmx, and the Nlaka'pamux peoples. The photographs depict village life, including images of building structures in the BC interior, fish processing techniques such as fish drying, and carvings such as mortuary poles. Some of the images also depict First Nations people, some in regalia. The other images are official photographs taken by various museums in Canadian and American museums of Tsilhqot'in, Secwepemc, Stl'al'lmx, or Nlaka'pamux artifacts. The textual records contained in this file consist of a photocopy of a magazine article titled "Upstairs, downstairs: the early years," written by Heather Pringle, and published in the June 1996 (Volume 111, number 5) edition of the magazine Saturday Night.