Affichage de 1338 résultats

File consists of copies of Haida photographs. Includes original negative sleeve with ms. notations.

File consists of photographs and negatives of Tow Hill scenery and Robert Davidson pole at Masset. Artefacts pictured are of Haida design.

File consists of views of artifacts in the National Museum of Canada. Includes photographs and negatives of chest lid, plate, and canoe; and negatives of chest.

File consists of views of artifacts in the National Museum of Canada. Includes photographs and negatives of canoe and dish; and negatives of chests.

File consists of view of poles at Kamloops. Includes letter from John Veillette and copy of progress report on "Art and Architecture of Old Mission Churches and Cemeteries in British Columbia." Artefacts pictured are presumed to be of Shuswap and/or Northwest Coast Indigenous design.

File consists of various views of carved argillite stone figure. Artefacts pictured are presumed to be of early Northwest Coast Indigenous design.

File consists of various photographs and negatives. Includes views of box and box lids, dishes and plates, baskets, rattles, bracelets, buildings, people, and objects in books. Artefacts pictured are of Haida design.

File consists of textual records and 5 photographs. Images of Stone Bowl. 2 - Headed Fish bowl. Northwest Coast Indigenous. Bottom, side, front and top views. Black and White. 5" x 7" prints.

File consists of textual records and 5 photographs. Image of Totem Pole. Wood, Bill Reid Haida Pole, Totem Park, Vancouver British Columbia. Front and close-up views. Black and White. 4 5" x 7" prints and 1 8" x 10" print.

File consists of Images of Carvings. Stone. Now Located in the Campbell River Museum, British Columbia. Black and White. 3 1/2" x 5"; sculpture of head. Possibly Northwest Coast Indigenous . Side View. Black and White. 4 4 1/2" x 3 1/4" prints; Image of Carving. Stone, sculpture of head and face. Possibly Northwest Coast Indigenous . Front View. Black and White. 15 4 1/2" x 3 1/4" prints from various angles; Image of Carved Bowl. Stone, Frog Bowl. Smithsonian Institution, Washington, D.C. Black and White. 5 4 1/2" x 3 1/4" prints; Image of Carved Mask. Stone, Tsimshian Tribe. National Museum of Man, Ottawa. One of a twin pair. Eyes closed. Front View. Black and White. 5 8" x 10" prints; Image of Carved Mask. Stone, Tsimshian Tribe. National Museum of Man, Ottawa. Both Masks of a twin pair. One mask has eyes closed, one has eyes open. Side/ Back View. Black and White. 8" x 10" print; Image of Carved Mask. Stone, Tsimshian Tribe. National Museum of Man, Ottawa. One of a twin pair. Eyes open. Front/ Side View. Black and White. 3 8" x 10" prints; Image of Carved Bowl. Stone, seated figure holding bowl. 10" high. From Centennial Museum, Vancouver, B.C. Black and White. 8" x 10" print; Image of Carved Bowl. Stone, anthropomorphic bowl/mortar. Smithsonian Institution, Washington, D.C. 12 1/2" diameter, 7 3/8" deep, 5 1/2" high. Features carved faces. Black and White. 8" x 10" print; Image of Carved Bowl. Stone, seated figure bowl. 5 3/4" high. From British Columbia Provincial Museum, Victoria, B.C. Black and White. 8" x 10" print; Image of Carved Bowl. Stone, Raven bowl/mortar. 12 1/2" x 7 1/4" statue. From British Columbia Provincial Museum, Victoria, B.C. Side/Front View. Black and White. 8" x 10" print; Image of Carved Bowl. Seated human figure with rattlesnakes. 15" high. Side View. Black and White. 4 8" x 10" prints.

The Art of the Raven (VAG) 1. File consists of slides taken at Vancouver Art Gallery from May-June1967. Includes: slate panel pipes, figures and groups, dishes, chests and boxes, poles, rattles, chests, oyster catcher, headdresses, amhalaits, frontlets, dishes, ladle and spoons, wood pipes, carvings and charms.

File consists of slides including: views of Hazelton, views of Kiusta, views of Fort Fraser, views of Stuart Lake, views of Babinetown, Skeena and Bulkley scenery, Moricetown fishing, poles, Fraser Lake poles, Prince Rupert poles, 1962 helicopter trip, Cassiar cannery , canomiaks[?], whaling. Note: Slides of places, taken in 1960 and 1962, have been added. Slides of Kitwanga and Kispiox listed in index poles appear to have been moved later by Duff to case 17; those of Fort Rupert appear to have been moved to case 16.

File consists of slides including: Vancouver and U.B.C., Curtis Kwakiutl slides, Haida and Kwakiutl villages and groups; portraits, Port Simpson and Metlakatla scenery; maps. Note: Slides of Hazelton and Nootkans added in section B, slots 24 and 25. Photos of Charles Edenshaw added in section D. Includes 1 glass slide.

File consists of slides including: Lipsett Collection chest and box, U.B.C education totem, Edenshaw bracelet and gravestone rubbings, Koerner panel pipe, trip to Masset.

File consists of slides including: British Columbia scenery, National Gallery exhibit of Northwest Coast artifacts, Montreal, Mystic Seaport, American Museum of Natural History specimens. Note: Slide of shaman mask, not included in index, but marked "1970-1-F," added to section F.

File consists of slides including: Roy Hanuse paintings, art of Dixon and White, work of Davidson, 1971 Centennial Poles at Provincial Museum in Victoria. Note: Includes duplicate in group of Davidson slides. Slides of Dixon work and unidentified poles are duplicates of those found in argillite group in case 4.

File consists of slides including: maps of culture areas, B.C. tribes, Vancouver, Kwakiutl and Haida areas, chests, pipes and masks, painting, work of Flicker, Feininger, and Feder, slides of objects appearing in "Russian Book"; and "Legacy" exhibits. Note: Related map slides have been added in slots A-20 to A-23."Russian Book" refers to North American Indian Art by Erna Siebert and Werner Forman (London: Paul Hamlyn, 1969). Escher work is from The Graphic Art of M.C. Escher (New York: Ballantyne, 1972); Feder work is from American Indian Art (New York: Harry N. Abrams, 1965).

File consists of slides including: "Images Stone B.C." exhibit, hammer chart, views of Sechelt image.