Lewis Clifton, Tsimshian, Hartley Bay
- 25-01-04-a037540
- Stuk
- 1966
Part of Anthony Carter fonds
Portrait of a man identified as Lewis Clifton from and/or in Hartley Bay, BC.
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Lewis Clifton, Tsimshian, Hartley Bay
Part of Anthony Carter fonds
Portrait of a man identified as Lewis Clifton from and/or in Hartley Bay, BC.
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Lewis Clifton, Tsimshian, Hartley Bay
Part of Anthony Carter fonds
Image of a working fishing boat's deck. A man is standing on the deck, a net is raised in the air, and number of fish are in a bin on the deck.
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Betty Wilson, Haida & Bella Bella [Heiltsuk]
Part of Anthony Carter fonds
Portrait of a woman identified as Betty Wilson at Haida or Bella Bella, BC
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Betty Wilson, Haida & Bella Bella [Heiltsuk]
Part of Anthony Carter fonds
Portrait of a woman identified as Betty Wilson at Haida or Bella Bella, BC
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Lewis Clifton, Tsimshian, Hartley Bay
Part of Anthony Carter fonds
Portrait of an older man (Lewis Clifton?). He is standing outside, wearing a cap and glasses.
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Lewis Clifton, Tsimshian, Hartley Bay
Part of Anthony Carter fonds
Portrait of an older man (Lewis Clifton?). He is standing outside, wearing a cap and glasses.
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Freeman, Kynoc & Bella Bella [Heiltsuk]
Part of Anthony Carter fonds
Portrait of Mr. Freeman, seen from neck up. Similar to image printed on page 32 of the book Somewhere Between.
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First Nations community members
Part of Anthony Carter fonds
File consists of images of First Nations adults and children in Bella Coola, Klemtu, Bella Bella, Haida Gwaii, and Hartley Bay, BC.
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Miscellaneous North Coast images
Part of Anthony Carter fonds
File consists of images form the north coast and fjords of British Columbia, as well as the North Vancouver area. Subjects include fishing boats, canoe carving, canoe paddlers and races, and rock paintings.
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Xwemelch'stn (Coast Salish) ceremony
Part of Anthony Carter fonds
File consists of photographs from a celebration in North Vancouver in 1956.
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House frontal totem pole, Anthony Island
Part of Harry B. Hawthorn fonds
Image of an old house post on Anthony Island, Haida Gwaii. This appears to the same as a post now housed at the Museum of Anthropology. This museum item is decribed as follows: "The lower section of a totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: bear with protruding tongue and raven on body, kneeling on head of unknown creature... Figures probably from historical narratives owned by lineages of house owner and wife. Grizzly bear was a crest of the lineages of the 'Striped Town People' and 'Sand Town People' of the Raven Moiety, to one of which the husband may have belonged. The supernatural Snag was also a crest of the 'Striped Town People'. Human arms of the raven or cormorant may indicate ability to transform from animal to human."
The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.
The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.
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The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.
The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.
Collection consists of the following items:
001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983
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Part of Carol Mayer fonds
File includes audio and one video of interviews for the eulachon exhibition.
Chief Henry Weah - Haida - Masset, Graham Island, BC, 1919
Part of Harlan Smith collection
Gives his age as sixty seven years old and is the lighthouse keeper. Wiah Point between
Masset Inlet and Naden Harbour was named after his uncle
Fonds consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Smith recorded at the time of creation. It gives name and age (if known) of the sitters as well as lineage, employment, and style of dress.
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Carver with Feast Dish in Alert Bay
Part of Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a carver with a feast dish in front of a house. There are five children and one adult in the background. Based on the original order of the collection, photograph might have been taken in Alert Bay.
Part of Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a street with five totems. According to annotations, photograph was taken in Alert Bay.
Part of Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of a totem with a building in the background and a boat in the foreground with low tide. Based on the original order of the collection, photograph might have been taken in Alert Bay.
Part of Missionary Society of the Church of England in Canada Slide Collection
Item is a hand-tinted glass lantern slide of the inside of a building with two house posts. Based on the original order of the collection, photograph might have been taken in Alert Bay.