Totem pole or house post, Anthony Island
- 51-01-29-a039466
- Item
Parte deHarry B. Hawthorn fonds
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Totem pole or house post, Anthony Island
Parte deHarry B. Hawthorn fonds
Parte deHarry B. Hawthorn fonds
Parte deHarry B. Hawthorn fonds
Village remains in forest, Anthony Island
Parte deHarry B. Hawthorn fonds
Anthony Island inlet, with village site in background
Parte deHarry B. Hawthorn fonds
Last pole at Aiyansh on Nass [River]
Parte deHarry B. Hawthorn fonds
Pole is largely uncarved, except for a bird perched on top. Mountains are visible in the background.
Parte deHarry B. Hawthorn fonds
Image of Doug Cranmer carving two totem poles at the University of British Columbia.
Item is an audio cassette tape with no date and the annotation "How to write Kwakiutl" and "Copie" on both sides.
Item was numbered by creator with roman number I.
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Mr. Bob Wilson at his home in Fort Rupert
Mr. Bob Wilson at his home in Fort Rupert. Talking in English and Kwakwala about Tlisaligilakw (Mink) and other myths involving sea creatures. Recorded by Martine de Widerspach-Thor (Reid) in 1977 and 1978.
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Item is a recorded interview to Agnes Alfred telling stories on February 10, 1985. Tapes were recorded by Martine Reid, at Chief Jimmy Sewid's house and in the presence of Mrs. Jimmy Sewid and Daisy Sewid-Smith.
Item includes 3 tapes:
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Subseries includes handwritten translations of the audio and video interviews.
Translations were done by Daisy Sewid-Smith and sent to Martine J. Reid for editing.
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The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with Indigenous communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.
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Campbell River, Agnes Alfred and Dorothy Hawkins
Item is a recording of Agnes Alfred and Dorothy Hawkins. Item was recorded by Daisy Sewid-Smith at Campbell River, prior to Martine Reid involvement. Item was translated by Daisy Sewid-Smith in 1979.
Item includes four cassette tapes with Agnes Alfred and Dorothy Hawkins talking about love songs; the Hamatsa mask song; permission to use the chant of the Nimpkish, of the Kwakiutl; and their life story.
Item was numbered by creator with roman number II.
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Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer in the early stages of carving a totem pole. Cranmer squats on one side of the pole while another man stands on the opposite side.
Mungo Martin and Charles Docherty working on a totem pole
Parte deMOA General Media collection
Mungo Martin and Charles Docherty working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant.
Stone sculptures, a frog figure, and other items on display in Montréal
Parte deMOA General Media collection
Stone sculptures, a frog figure, and other items on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”
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Mosquito Totem Pole, closeup of base
Parte deVirginia Kehoe fonds
Image depicts a close up view of the base of a totem pole carved by Doug Cranmer. The base features figures that resemble humans. Above the man's head the end of the mosquito proboscis is visible. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Mosquito Totem Pole, top rear view
Parte deVirginia Kehoe fonds
Image depicts a rear view of the top of a totem pole carved by Doug Cranmer. This portion depicts a side view of the mosquito's head and wings and reveals that the pole is open at the back. From this perspective a church can be seen in the background. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Parte deVirginia Kehoe fonds
Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside.