Subseries contains textual and photographic records of the Pakistan Pavilion at the 1986 World Expedition held in Vancouver, better known as Expo ‘86. McLennan contributed to the design, content and installation of this exhibit.
Joanna Staniszkis: Translation of tradition
Subseries contains images of textiles.
Clothing and identity: Selections from MOA’s fine costume collection
Subseries consists of the text and images used in an exhibit titled <i>Clothing Identity.</i>
Subseries contains records directly related to the planning, development and execution of the Transforming Image exhibit at MOA. Planning for the exhibit began in 1983 when grants were obtained to begin research on Northwest Coast paintings. The exhibit itself occurred in 1993. The exhibit was the end result of research and development of a technique to view severely faded Northwest Coast First Nations paintings and painted objects through the use of infrared technology. Records include correspondence and information requests, public relations files, grant application information, budgeting information, papers, conferences and publications about the Transforming Image, files related to the publishing of the Transforming Image book and school interest in the exhibit.
Due to its large volume, The Transforming Image subseries has been broken down further into sub- subseries: Administration records; Research files; Book related; and Institutional photographs.
ref # 1-1-MMM-1
Images of life: 50,000 years of Japanese pre-history
Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).
This subseries contains images shown in the exhibit The Third Eye curated by Audrey Mackay Shane.
El Corazon Del Mundo: At the heart of the world
Subseries contains photographic slides of the exhibit <i>El Corazon Del Mundo : At the Heart of the World</i>. This exhibit was held at MOA from October 23, 2002 - March 30, 2003.
Travelling exhibit to advertise MOA to Vancouver
Subseries contains images of a travelling exhibit used to publicize the Museum of Anthropology.
This subseries contains images shown in the exhibit <i>Anonymous Beauty</i> curated by Miriam Clavir. This exhibit was on the Japanese handmade paper collection housed at MOA. In addition are 4 transparencies of the exhibit text.
Subseries contains slides of the Pasifika: Island Journeys exhibition, held at MOA from June 21, 2004 - May 9, 2004.
Subseries contains an image showing prints of Bill Reid's work hanging in a theater.
This subseries contains images of the exhibit and textual panels from the exhibit as well as drafts of exhibit text and research materials.
Where are the children? Healing the legacy
Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.
Subseries contains images of objects in the exhibit <i>The Legacy: Continuing Traditions of Northwest Coast Indian Art.</i> This exhibit was held November 25, 1981 - August 31, 1982. In addition are photographs of the exhibit opening.
Subseries contains two files containing records related to the exhibit about the artist Jane Ash Poitras.
Benetton exhibit (student exhibit)
Subseries consists of images of the Benetton student exhibit.
Subseries contains images of textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i>.
Bill Reid: Beyond the essential form
Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.
Subseries consists of images of the Blood from a Stone exhibit.
Subseries contains images of masks and of the opening ceremony.