The Strangled Man: Haida Argillite Carving in Retrospect
- 124-01-009
- Bestanddeel
- 1977
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The Strangled Man: Haida Argillite Carving in Retrospect
Eulachon - A Fish to Cure Humanity, The Grease Trails
Part of Carol Mayer fonds
Part of Herb Watson fonds
File contains images of the <i>Roy Vickers, "Beginnings"</i> exhibit.
Exhibit dress & identity, memos labels
Part of Madeline Bronsdon Rowan fonds
Huacos and Huacas: Objects from Sacred Places of Ancient Peru
Part of Herb Watson fonds
Part of Herb Watson fonds
File contains material related to two students exhibitions at MOA -- Huacos and Huacas, and Dress and Identity
Part of Herb Watson fonds
Robert Davidson: “The Abstract Edge”
Part of Karen Duffek fonds
The records in this sub-series relate to the development and implementation of the Robert Davidson exhibition The Abstract Edge at MOA. The Abstract Edge opened at the Museum of Anthropology on June 22nd, 2004 through January 30th 2005. The Abstract Edge then went on a cross-Canadian tour from 2005-2007, which was sponsored by the National Gallery of Canada.
Files consist of exhibition planning notes, research, reporting, grant applications, contracts, correspondences, event planning, articles and publications, and transcripts. Additionally, some files in the series also relate to the publication for the exhibition which Duffek wrote in conjunction with Robert Houle. Most of the photographic transparencies were taken for publication images. Other files relate to Robert Davidson in general, such as transcripts of interviews, public lectures, and past exhibitions.
Encounter 1778: Drawings, Watercolours, and Sketches by John Webber at Nootka Sound
Northwest Coast Indian Artists Guild - 1978 Graphics Collection
Ancient Crossroads: The Rural Population of Classical Italy
Part of Herb Watson fonds
Part of Herb Watson fonds
File contains material related to two student exhibitions at MOA -- Design Variations in Guatemalan Textiles, and The Evolution of Bill Reid’s Beaver Print.
Exhibit – Encounter 1778 – J. Webber drawings watercolours
Part of Madeline Bronsdon Rowan fonds
The fonds relate primarily to research Karen Duffek conducted and exhibitions she curated or was involved in. In addition, some files relate to publications Duffek wrote. Files consist of research materials, exhibition planning and implementation, publications and articles, correspondences, and artist interviews.
The fonds is arranged into the following two series:
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