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Subseries contains one file that consists of photographs of six totem poles being raised in Haida Gwaii for the Qay’llnagaay Heritage Centre. The photographs comprise eight different incomplete rolls of film. The images depict First Nations people in regalia, other community members, and visitors all participating in the raising of the totem poles.
The Spirit of Islam: Experiencing Islam through Calligraphy
Part of Darrin Morrison fonds
This exhibition introduces the aesthetics, spirituality, and principles of education related to the world of Islam, through example of Islamic art and calligraphy.
Part of Carol Mayer fonds
Part of Carol Mayer fonds
Consists of copies of six notebooks kept by Powell during the first two years of his work with the Haisla speaking people. Notebooks contain notes taken during interviews in Kitamaat.
Subseries contains one file that consists of images of Buddhist monks creating a sand painting in the great hall of MOA.
Continuing Traditions: Coast Salish Basketry
Part of David Cunningham fonds
David Cunningham
Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.
Subseries consists of research McLennan did regarding 3D scanning technology and its use in a museum setting. Records include photographs, 3D stereoscope cards, STS scanning technology information, UBC published materials on McLennan’s research and correspondence.
Photographs Slides Negatives 2000
Curatorial and Community Consultation
Raven’s Reprise: Contemporary Works by First Nations Artists
Part of Darrin Morrison fonds
This exhibit displayed the works of five contemporary First Nations artists whose works challenge viewers’ expectations of North West Coast art.
Part of Darrin Morrison fonds
This subseries includes materials used in the planning and design of the Research Centre which aimed to create innovative research spaces that facilitated the sharing of knowledge.
Part of Elizabeth Johnson fonds
Series consists of records relating to Elizabeth Johnson’s activities with the Classification Subgroup of CFI, Collections Access Group. Records include correspondence, memoranda, meeting minutes, preliminary decisions, reports, work summaries, Aboriginal Research Ethics Workshop: Research, Respect, Reciprocity, community consultation, principles to establish partnerships between First Peoples and Canadian Museums, principles of collection access, visible storage, exhibit ideas, terms of reference, Clothing and Textile Collection reports, and culturally sensitive objects identification list.
Elizabeth Lominska Johnson
Subseries consists of the image used on the cover of the cookbook created by the Volunteer Assistants.
Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.