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Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole after it has been lifted, with the ropes used to raise it still attached at the top.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole after it has been lifted, with the ropes used to raise it still attached at the top.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole after it has been lifted, and individuals working to secure its base.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole after it has been lifted, and individuals working to secure its base.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole after it has been erected.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole while it is still lying on the ground. Ropes are attached to raise it, with a number of people lined up holding the ropes to pull it up.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole while it is still lying on the ground. A crowd is gathered around it, and a few children are sitting on or leaning against the pole.

Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).

Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).

Item is an image of two totem poles by two buildings. According to annotations, photograph is of the house of Chief Albert Edward Edenshaw, G?aw (also known as Old Massett) in the Haida Gwaii archipielago.

Item is an image of a group of people sitting for the photograph. Other people, buildings, and totem poles are visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

Item is an image of a group of people by a building and a totem pole, other buildings and poles visible in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

Item is an image of a woman walking away from the camera with three buildings and a totem pole in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

Item is an image of several buildings and totem posts. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago.

Item is an image of a coastal village, taken from the sea. According to annotations, photograph is of G?aw (also known as Old Massett) in the Haida Gwaii archipielago taken from the Ship Islander.

Item is an image of two buildings, seven totem poles, and one cannon. According to annotations, photograph is of the house of Chief Wiah, Town Chief of G?aw (also known as Old Massett) in the Haida Gwaii archipielago.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is a portrait of an unidentified man, likely Chief Weah (Willie Matthews).

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. Image shows a man speaking at the pole raising. He is not identified, but it is likely Chief Weah (Willie Matthews).

Three large totem poles with a building and forest in the background

Image of several house frontal totem poles at Ninstints on Anthony Island. The totem pole in the foreground is recognizable as one that was transferred to the Museum of Anthropology in 1954. While the others likely were as well, they are more difficult to identify.