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Subseries contains mainly digital files with some accompanying textual records of records which mostly pertain to ideas that McLennan had for books he wanted to write. In some cases an actual book was created and published, and in other cases a book was printed (not published) to show perspective donors. Potential book subjects are listed as follows: argillite, Charles Edenshaw [file contains an assemblage of digital images that could be used in a publication], Edenshaw exhibit [file contains records related to the Edenshaw exhibit “Signed Without Signature”], Explorers [notes for the beginning of an idea for a book], Gisaxstala, MOA books [these books were made as talking pieces to show prospective sponsors of gallery space what could be done in the galleries, and what had not yet been done], Port Essington, Raven Rattle, Seeing, Thinking, Serenipitous Assembly, Site Specific, Weavers Workshop. Other subjects included in this subseries pertain to book ideas or contacts who would have been interested in sponsoring book including Elspeth McConnell and Michael Audain.
- 1-2-K-1 (9.17)
This suberies contains correspondence between McLennan and organizers of the Boundaries in the Art of the Northwest Coast of America conference. In addition are draft copies of McLennan's presentation.
- 1-1-MMM-b-79 (41.4)
File mainly contains copies of correspondence between McLennan and the Brooklyn Museum, regarding the bentwood boxes in the Brooklyn Museum's collection. Other records include catalogue records of Northwest Coast artifacts housed at the Brooklyn Museum, as well as photocopies of images of some of the Museum's boxes.
- 1-1-MMM-c-11 (44.13)
- [ca. 1993]
File contains images of paintbrushes and other painting tools used by Northwest Coast artists. The textual records contain research information about painting techniques, and information about particular paint brushes depicted in the photographs.
- 1-1-MMM-b-81 (41.6)
File contains textual records related to the Canadian Conservative Institute pigment research. They include copies of correspondence between McLennan and the CCI, as well as between McLennan and various museums involved in the project. The file also contains copies of the CCI Native Material Final Report.