Affichage de 205 résultats

File contains a copy of the <i>Through my Eye</i> exhibit record, as well as copies of the exhibit's excerpts from the Vancouver Museum. There is also a postcard from the Vancouver Museum of a Tsimshian frontlet.

File contains correspondence between Bill McLennan and staff at the Vancouver Museum. In addition are letters sent to some of the artists involved with the exhibit.

File contains images of Lyle Wilson's work. In addition are textual records relating to the exhibit and museum note titled <i>When Worlds Collide</i>.

Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.

File contains images and textual records related to the <i>Attributed to Edenshaw</i> exhibit. The images include pictures of some of the exhibit panels and artifacts. The textual records include media releases, business cards, photocopies of news articles related to the exhibit, and exhibit brochures.

File contains copies of newspaper clippings and full editions of magazines that feature and/or reviews the <i>Through My Eyes</i> exhibit at MOA.

File contains copies of correspondence between David Cunningham and the K'omoks First Nation regarding a mask that was lent to a travelling exhibit titled "Written in the Earth".

File mainly contains images of the artists involved in the <i>Through My Eyes</i>, such as Jim Hart and Robert Davidson and some of the artifacts featured in the exhibit. The textual records contain a copy of the file's content.

Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.

File contains images of photographs, letters, and newspaper clippings used for background research for this exhibit. Other textual materials include inkjet copies of photographs of silver pieces featured in the <i>Signed Without Signatures</i> exhibit. The photograph in this file is a reproduction of a historic photograph with nine men, five sitting in the front row and four men standing behind posing in front of a wooden building. They are all wearing three piece suits.

File contains photocopies of images of some of the silver work featured in the <i>Signed withot Signature: Works by Charles and Isabella Edenshaw</i> exhibit.

Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.

File contains information related to the opening of the <i>Signed Without Signature</i> exhibit. Records include a postcard of the exhibit, press releases, and email correspondence addressed to and sent from McLennan related to the exhibit.

Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.

Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.

File contains images of the exhibit display.

Subseries contains photographic slides of the exhibit <i>El Corazon Del Mundo : At the Heart of the World</i>. This exhibit was held at MOA from October 23, 2002 - March 30, 2003.

File contains images of Robert Davidson and the Rainbow Creek Dancers performing. In addition are digital files taken by Steven Muchnick and Eric Milliren of the event as well as images of the Museum of Anthropology and objects in a private collection.

File contains images of the exhibit My Ancestors are Still Dancing. In addition are textual records relating to the exhibit such as budget and outlines.

File contains information pertaining to the <i>Where are the Children? Healing the Legacy of the Residential Schools</i> exhibit. This information includes background information about residential schools in Canada, a copy of the exhibit's preliminary design report, photocopies of images, and a copy of the exhibit's "Reference Manual: For Setting up Exhibition (floor plans, wall elevations, text, captions, etc."