File contains images of bentwood boxes used for public relations for the exhibit. In addition are correspondence with the CBC, and a copy of pages from the guest book from the exhibit.
Subseries contains images of a serigraph print created in 1971 by Joe David. The print is titled Ka-Ka-Win-Chealth (Transformation of white wolf into killer whale).
File contains images of Robert Davidson and his work featured in the exhibit <i>Raven Bringing Light to the World</i>. This exhibit was on at the Museum of Anthropology, UBC in 1986.
File contains images of Robert Davidson and the Rainbow Creek Dancers performing. In addition are digital files taken by Steven Muchnick and Eric Milliren of the event as well as images of the Museum of Anthropology and objects in a private collection.
File contains book and exhibit pamphlet for exhibit Robes of Power: Totem Poles on Cloth. The book published from this exhibit is No. 17 of the Museum Notes Series In addition are two letters of correspondence.
Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.
File contains copies of still images permission forms from the Royal British Columbia Museum, as well as copies of correspondence between McLennan and the RBCM regarding obtaining images from the RBCM for the <i>Signed without Signatures</i> exhibit. There are also photocopies of the images of cedar hats and silver bracelets supplied by the RBCM. The contact sheets include images of a cedar hat.
File contains copies of correspondence between McLennan and the Royal Ontario Museum (ROM) regarding MOA borrowing some pieces from their collection to showcase in the <i>Signed Without Signature</i> exhibit. The majority of the photographs contain in this file are images of a cedar hat held at the ROM. Other photographs depict gold and silver bracelets.
File contains images of painted screens from the <i>Transforming Images</i> exhibit featured at the Canadian Museum of Civilization. The file also contains images of some of the artists featured in the exhibit working on their screens.
Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.
Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.
File contains one spiral bound book (unpublished) containing photographs of the Signed without Signature exhibition and events, as well as a review of the exhibition.
Subseries consists of records relating to research on residential schools that led to the production of the exhibit Speaking to Memory: Images and Voices from St. Michael's Residential School, held at the Museum of Anthropology, UBC.
File contains photocopies of images of some of the silver work featured in the <i>Signed withot Signature: Works by Charles and Isabella Edenshaw</i> exhibit.
File contains images of the text that was used as well as images of the exhibit <i>Show and Tell: The Story of the Big Mac Box</i>. In addition there are two images on the contact sheet that show a different exhibit titled <i>Blood from Stone</i>.
