Oversized photographs of totem poles on Anthony Island
- 1-1-E-5 (Oversize 12)
- File
- [?]
File contains images of totem poles being removed from Anthony Island.
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Oversized photographs of totem poles on Anthony Island
File contains images of totem poles being removed from Anthony Island.
Moving the totem poles on Anthony Island
File contains images of totem poles being being crated and shipped by boat.
Other [photographs of Anthony Island]
File contains images of Anthony Island, and one of Wilson Duff doing archaeology.
B.C.T.P.P.C expedition, Ninstints, Anthony Island original photos
File contains images of Anthony Island.
File contains images of a bentwood box located at Simon Fraser University. The textual records contain handwritten notes about the box.
Susan Point carving Flight (Spindle Whorl)
Image of Susan Point (Musqueam) carving Flight (Spindle Whorl) in a workshop. The work appears to be near completion.
Vancouver International Airport Musqueam Welcome Area
Image of the Vancouver International Airport Musqueam Welcome Area. The image may have been taken at the opening celebrations.
Image of 2 of the 4 weavings that comprise Out of the Silence on display at the Vancouver International Airport. The weavings were made by Musqueam artists Krista Point, Robyn Sparrow, Debra Sparrow, Gina Grant and Helen Callbreath.
Image depicts the exhibition The Pacific Passage installed at the Vancouver International Airport. The focal point of the photograph is Hetux, a large Thunderbird sculpture created by artist Connie Watts (Nuu-chah-nulth, Gitxsan and Kwakwaka'wakw).
Image depicts a transformation mask created by artist Stan Wamiss (Kwakwaka'wakw) installed at the Vancouver International Airport.
Image shows a whaling canoe carved by artist Tim Paul (Nuu-chah-nulth).
File contains copies of webpages pertaining to the Lil'wat First Nations and the Skwxwú7mesh First Nations. These webpages contain information about one or both of the Nations, including the following: a brief overview of the history and culture of the Lil'wat and/or Skwxwú7mesh ; movements and protests; news stories involving the Lil'wat and/or the Skwxwú7mesh ; and/or maps of traditional territory of the Skwxwú7mesh First Nations.
This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.
File mainly contains photocopies of architectural drawings and plans of the Bella Coola house that was part of the CMC House project. Other records include a list of artists from Bella Coola who were potential candidates to work on the house, and research information.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.