- 81-03-a033193
- Item
- [ca. 1957]
Photograph depicts a number of carved masks that are on display in what appears to be either a store or a house.
Mildred Laurie
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Photograph depicts a number of carved masks that are on display in what appears to be either a store or a house.
Mildred Laurie
N.W.C. Gallery, Centennial Museum - Project from this side
Part of Harry B. Hawthorn fonds
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of two men performing a dance while a crowd watches. The man on the right in ceremonial dress (button blanket, cedar bark headdress) is Willie Seewid [Seaweed; Sewid?], who carved the crooked beak mask with cedar strips that is worn by the other dancer on the left.
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of a crowd of people in ceremonial dress and regular clothes watching two people performing a mask dance. One person wears a crooked beak [four-faced?] mask while the other is wearing a button blanket and headdress. Willie Seewid [Seaweed; Sewid?] is the man on the left looking at the dancer - noted by William Wasden Jr., 2005/02/22.
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of four men dancing in ceremonial dress (button blankets, carved [eagle?] mask with cedar strips) performing a ceremonial dance in front of a crowd of on-lookers. The man second from the left is Willie Sewid [Seaweed; Seewid?].
Part of Diane Elizabeth Barwick fonds
Item is a photograph of artifacts of Northwest Coast cultural groups [Kwakwaka'wakw?], including: 3 carved and painted wooden masks, 1 carved and painted wooden headdress, and 1 unidentified wooden object displayed against a white sheet backdrop. The mask on the left might be a Kwakwaka'wakw representation of Dzunuk'wa, The Woman of the Woods. The mask in the middle has an abalone feature.
Part of Wilson Duff fonds
File consists of correspondence from 1966 and 1967 between Wilson Duff and K.O.L. Burridge, of the Pitt Rivers Museum, regarding Haida potlatch masks. Included is correspondence from 1902 between Franz Boas and E.B. Tylor, which notes a discussion between Charles Edenshaw and John Swanton. The file also consists of b&w photos of the masks and the article "The Haidas," from Harper's New Monthly Magazine, dated June-November 1882.
Display Museum of Anthropology, U.B.C., Vancouver
Part of Anthony Carter fonds
Image of a display of masks at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Display Museum of Anthropology, U.B.C., Vancouver
Part of Anthony Carter fonds
Image of a display of masks at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Kwakwaka'wakw mask display at U.B.C. Museum of Anthropology
Part of Anthony Carter fonds
Image of Kwakwaka'wakw masks display at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Kwakwaka'wakw mask display at U.B.C. Museum of Anthropology
Part of Anthony Carter fonds
Image of Kwakwaka'wakw masks and material culture display at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Kwakwaka'wakw mask display at U.B.C. Museum of Anthropology
Part of Anthony Carter fonds
Image of Kwakwaka'wakw masks display at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Kwakwaka'wakw mask display at U.B.C. Museum of Anthropology
Part of Anthony Carter fonds
Image of Kwakwaka'wakw masks display at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Unidentified masks, Museum of Anthropology
Part of Anthony Carter fonds
Image of objects, including masks, on display at the Museum of Anthropology at the University of British Columbia.
Anthony Carter
Part of Anthony Carter fonds
Image of two unidentified masks, possibly from the University of British Columbia's Museum of Anthropology.
Anthony Carter
Part of Anthony Carter fonds
Image of Kingcome resident holding a mask carved by the late chief Willie Seaweed of Blunden Harbour. A colour version of this image is printed on page 49 of Carter's book From History's Locker.
Anthony Carter
Kingcome Inlet & Gwayasdums (Gilford Island)
Part of Anthony Carter fonds
File consists of images of the Kingcome Inlet and Gilford Island, both in the central coast area of British Columbia. Scenery and individuals from the area are featured.
Anthony Carter
Able John (73 yrs), Gold River BC
Part of Anthony Carter fonds
Image of Able John wearing a mask. An image of John is printed on page 119 of Carter's book "From History's Locker," with the caption: "Able John, born at Ehahsitaht but now living at Gold River. A friendly happy man he carves authentic Nootka masks to supplement his the earnings."
Anthony Carter
Able John (73 yrs), Gold River BC
Part of Anthony Carter fonds
Image of Able John wearing a mask. An image of John is printed on page 119 of Carter's book "From History's Locker," with the caption: "Able John, born at Ehahsitaht but now living at Gold River. A friendly happy man he carves authentic Nootka masks to supplement his the earnings."
Anthony Carter
Ehattesaht, Esperanza Inlet, [Nuu-chah-nulth]
Part of Anthony Carter fonds
Image of Able John wearing a mask. An image of John is printed on page 119 of Carter's book "From History's Locker," with the caption: "Able John, born at Ehahsitaht but now living at Gold River. A friendly happy man he carves authentic Nootka masks to supplement his of the earnings."
Anthony Carter