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Archival description
Education
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Deborah Taylor fonds

  • 40
  • Fonds
  • 1969 - 1972

The fonds consists of records relating to African culture and craftsmanship. It includes photographs and slides of Ivory Coast and Nigerian crafts and cultural events, correspondence, research notes about African handicrafts, typed anthropological portraits of craftspeople and related drawings, postcards and magazine clippings.

Deborah Taylor

Harry B. Hawthorn fonds

  • 51
  • Fonds
  • [189-] - [200-], predominant [193-] - [197-]

The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with aboriginal communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.

Harry Bertram Hawthorn

Gordon Miller collection

  • 36
  • Collection
  • [1979?]-1993

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.

Collection consists of the following items:

001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983

Gordon Miller

Nadia Abu-Zahra fonds

  • 23
  • Fonds
  • 1966-1972

The fonds consists of 26 colour slides, including ceremonies and traditions related to weddings and male circumcision taken in Tunisia, as well as scenery and people in Algeria.

Nadia Abu-Zahra

Jonathan Griffin fonds

  • 60
  • Fonds
  • 1974 - 1978

Fonds consists of a paper written for Anthropology 301 taught by Professor Dr. Michael Kew, entitled [Red Cod Island Village or Ninstints Village] - A Memorial, with accompanying colour slide images of the carved poles of Anthony Island, a permanent village of the Kunghit Haida, located on the southern shores of Haida Gwaii.

Jonathan Griffin

Sharon Fortney fonds

  • 78
  • Fonds
  • 2006 - 2008

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

Sharon Fortney

Stephen Inglis fonds

  • 79
  • Fonds
  • 1974 - 1977

Fonds consists of photographic material created by Dr. Stephen Inglis and a series of twenty-four black and white prints depicting potters in a small community in India or images of fertility statues photographed by colleague Walter Huber. The colour negatives show local artisans and their works. The black and white photos mounted on cards were created between 1974 and 1977 and show Indian craftspeople, particularly Bengalis and Tamils. The images may have been created for the purpose of Dr. Inglis’s PhD research.

CAPTION LIST FOR PRINTS:
AC 2002-48-001 Siva murthi, Bastarnar
AC 2002-48-002 Siva Murthi, Bastarnar
AC 2002-48-003 Danteshwari Mandir Murthi, Dantewara
AC 2002-48-004 Amarkantak (source of Narbada River)
AC 2002-48-005 Danteshwari Mandir Murthi
AC 2002-48-006 Gharwa Cire-perdue Caster, Jagdalpur
AC 2002-48-007 Kumar, Nagarnar
AC 2002-48-008 Nagarnar Kumar family Terracotta mata murthis and guardian figures
AC 2002-48-009 Maria pillar, old form no longer made, near Gidam
AC 2002-48-010 The Eyes Have It
AC 2002-48-011 Kumar, Nagarnar
AC 2002-48-012 Danteshwari Mandir Murthi
AC 2002-48-013 L’Eternelle Idole, Rodin
AC 2002-48-014 Siva murthi, Bastarnar
AC 2002-48-015 Maria commemorative pillar, Bastarnar (“Bison-Horn”)
AC 2002-48-016 Kumar (demonstrating pottery wheel) Nagarnar village nr, Jagdalpur
AC 2002-48-017 Sonmura (source of Son River near Amarkantak Baba)
AC 2002-48-018 Assi Ghat, Benares Summer ‘76
AC 2002-48-019 Kumar, Nagarnar
AC 2002-48-020 Waiting for the bus near Jagdalpur
AC 2002-48-021 Kumar, Nagarnar
AC 2002-48-022 “Bison-Horn” Maria commemorative pillar, detail, Bastarnar
AC 2002-48-023 Gharwa, Jagdalpur
AC 2002-48-024 From Sonmura looking northwest
*Please note that AC 2002-48-01 through AC 2002-48-024 are attributed to Walter Huber

AC2002-48-025  48-76 are 51 colour negatives that depict local craftspeople and shrines in India.

AC2002-22-001 22-160 are black and white photographic prints mounted on white card. The images depict local Indian craftspeople, particularly Bengalis and Tamils. Some are identified with location and what is happening in the photo, while some are unidentified.

Stephen Inglis

Dan Jorgensen fonds

  • 39
  • Fonds
  • 1974 - 1975

Fonds consists of 83 photographs taken between 1974 and 75 when Dan Jorgensen was in Papua New Guinea to study the Telefolmin people. The images have been mounted on card and are labeled with place and title. Most of them were assigned a number and letter by Dr. Jorgensen. On the verso of the card, Dr. Jorgensen has detailed what is happening in the image.

The material is grouped according to a letter designation which Dr. Jorgensen had assigned. The assistant archivist has assigned a DJ and number to those images that Dr. Jorgensen had not numbered.

D:
1 Daduvip boy
2 village children
3 Daduvip children
4 Foiwalmin boy
5 three young girls
6 3 Telefomin girls
7 Daduvip children
8 women and children
9 women in mourning
10 women and children
11 gov’t headsman
12 Daduvip woman [Mislabeled. This is a portrait of Robinokof, a young man, of Dividuvip hamlet.]
13 father and son
14 Faiwolmin hunter
15 decorated feather bag
16 spirit house
15 Faiwolmin man
17 imitation headdress [initiation?]
19 two men in dance regalia
20 traditional dress
21 dancing costume
22 Telefolmin men

F:
1 prized taro plant
2 new taro garden
4 man and his gear
5 mother and child
6 pandanus fruit
7 preparing food
8 cooking fruit
9 placing cooking stones
10 cooking fruit parcels
11 food for feast
12 singeing pig
12 cooking for feast
13 & c. 2 small feast
14 cooking for feast
15 Daduvip women
16 pig-kill
17 binding pig for sacrifice
18 killing pig
19 kill pig
20 pig dispatched
21 singeing pig
23 butchering a pig

H:
1 & c. 2 ancestral village
2 Telfolip village
3 house building
4 house building
5 house building
6 house building
7 & c. 2 old Daduvip woman
8 spirit house
9 spirit house
10 the Yolan-ritual house
11 men’s compound
12 Kobelman
13 menstrual & childbirth hut
15 ethnographer’s house

[DJ] :
1 curing ceremony
2 plating ritual
3 ceremonial planting
4 curer & patient
5 fighting demonstration
6 fighting demonstration
7 fighting shield
8 fight demonstration
9 healing ritual
10 healing ritual
11 healing rituals
12 sacred netbag
13 child prophet NOTE: Consultation of photographer necessary before public display of this image
14 dancers
15 clay sculptures
16 Ifitamin valley
17 slow cooking technique
18 preparing a fire
19 ceremony
20 curing ritual
21 food for feast
22 (H 14 F 3) old garden house

Dan Jorgensen

B.C. and Jessie Binnings fonds

  • 26
  • Fonds
  • 1959-1972

Fonds consists of records related to the Binnings’ correspondence with (predominantly) friends and colleagues overseas in Japan from 1959 to 1971, including Bishop Kojo Sakamoto and members of his family. Mostly composed of personal letters written by hand, several letters are painted using calligraphy. Other records include program brochures and news clippings for exhibits in Japan and North America, and scrapbooks assembled by the Binnings. These either commemorate various visits they took to Japan or of visits their Japanese friends took to Canada. Fonds is divided into three series:

  1. Correspondence
  2. Sakamoto Printed Exhibit Matter
  3. Scrapbooks

Bertram Charles (B.C.) Binning

A.F.R. Wollaston fonds

  • 10
  • Fonds
  • ca. 1915-1919

The fonds consists of photographs likely taken by A.F.R. Wollaston in Uganda, the Congo, New Guinea, and Fiji. Also included are the envelope in which the photos were posted, and a note from M (Marjorie Halpin) to Audrey (Shane? Hawthorn?) regarding the donation of the photos to MoA.

A.F.R. Wollaston

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