Audrey and Harry Hawthorn Library and Archives

Jacquie Gijssen’s negatives of R. Davidson’s Pepsi-Co Commission

1-2-KK-3 (7.4)
Dossiê
1986

Parte de William McLennan (MOA Curator) fonds

File contains negatives of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

Photographs

1-1-E-1 (3.1-4)
Dossiê
1983

Parte de William McLennan (MOA Curator) fonds

File contains images used in the exhibit and in the publication Ninstints: Haida World Heritage Site.

Jim M. Hart working on a totem pole

1-4-B-38 (22.11)-a034864
Item
1982

Parte de William McLennan (MOA Curator) fonds

Item is a print showing Jim Hart, Haida carver, working on a copy of an Old Masset pole raised on the ground of UBC Museum of Anthropology on 2 October 1982.

Haida artist Jim M. Hart putting finishing touches on totem pole

1-4-B-38 (22.11)-a033867
Item
1982

Parte de William McLennan (MOA Curator) fonds

Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.

Massett Haida pole carving

1-2-EE-1 (13.14 - 14.1)
Dossiê
1981-1982

Parte de William McLennan (MOA Curator) fonds

File mainly contains slides of artist Jim M. Hart carving a replica of a pole that originated in Massett. There are also images of the replica pole's raising ceremony held at MOA in 1982.

Jim Hart, Haida carver, working on a copy of an Old Masset pole

1-4-B-38 (22.11)-a034866
Item
1982

Parte de William McLennan (MOA Curator) fonds

Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.

Photographs of Haida House and totem poles pre-reconstruction

1-2-O-1 (11.6-8)
Dossiê
1961-1982

Parte de William McLennan (MOA Curator) fonds

File contains images of totem poles being carved and images of the totem poles at Totem Park.

Masset (Haida) pole carved by Jim M. Hart

1-4-B-38 (22.11)-a033868
Item
1982

Parte de William McLennan (MOA Curator) fonds

Item is a photo showing a totem pole in a carving shed, shortly before it was raised.

Dancer at the Old Masset pole raising at MOA

1-4-B-38 (22.11)-a034869
Item
1982

Parte de William McLennan (MOA Curator) fonds

Item is a photo showing a man in Haida regalia dancing in front of a totem pole that is about to be raised. There is a large crowd behind him, watching. There is anther totem pole and a long house in the background.

Totem poles, an illustrated guide

1-1-A
Sub-séries
1981

Parte de William McLennan (MOA Curator) fonds

Subseries contain the images used in the Museum Notes booklet titled Totem Poles: An illustrated Guide by Marjorie M. Halpin, as well as a copy of the booklet.

ref # 1-1-A

Totem poles: Gitsegukla, Kitwankul, Kitselas, Ans?pa yaxw (Kispiox); Portrait: Mrs. Naknakin; ceremony: Alert Bay;

25-04-08-a038447
Item
[197-?]

Parte de Anthony Carter fonds

Sem título

Unidetified totem poles

25-04-12-a038517
Item
[197?]

Parte de Anthony Carter fonds

Image of a group of unidentified totem poles, possibly at the University of British Columbia.

Sem título

Unidentified totem pole

25-04-12-a038520
Item
[197?]

Parte de Anthony Carter fonds

Image of an unidentified totem pole, possibly at the University of British Columbia.

Sem título

Memorial pole, Totem Park

25-05-12-a039625
Item
[197-]

Parte de Anthony Carter fonds

Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.

The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .

Sem título

Staff research, publications and productions

35-9-D
Sub-séries
1949-1979

Parte de Audrey Hawthorn (MOA Curator) fonds

Subseries consists of material produced by museum staff, among them Wilson Duff, Harry and Audrey Hawthorn, Marjorie Halpin, and Gloria Cranmer Webster. There is extensive material on Audrey Hawthorn’s Art of the Kwakiutl Indians. Included in this subseries are ca. 2000 photographs which were collected for possible use in this book. Photographs are numbered A38-A17206 with many numbers missing throughout. The majority of photographs are of wooden masks, but they are also of bowls, bentwood boxes, paddles, rattles, totem poles, talking sticks, headdresses and frontlets, wooden figures and miniatures, whistles, spoons, silver bracelets, argillite carvings, button blankets, chilkat blankets, cedar head and neck rings, woodworking tools, stone tools, and fish hooks. Other record forms included in this subseries include correspondence, notes and published materials.