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Subseries consists of images used in the book Cowichan Indian Knitting and textual records relating to the production of the book. In addition are the images used in the exhibit which was shown in the Museum of Anthropology September 23 – November 9, 1986.

File 1: Images used in booklet
File 2: Images used in exhibit
File 3: Images of the exhibit

Subseries contains images showing textile art.

Subseries contains images of paintings by John Laford.

Subseries contains images of Robert Davidson unveiling his work titled Raven Bringing Light to the World.

Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.

File 1 - 3: [Photographs ]
File 4: [Transparencies, negatives]
File 5:[Book]
File 6: [Draft of book]
File 7: [Photographs]

Subseries contains images of masks and of the opening ceremony.

Subseries consists of images of the Blood from a Stone exhibit.

Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.

Subseries contains images of textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i>.

Subseries consists of images of the Benetton student exhibit.

Subseries contains two files containing records related to the exhibit about the artist Jane Ash Poitras.

Subseries contains images of objects in the exhibit <i>The Legacy: Continuing Traditions of Northwest Coast Indian Art.</i> This exhibit was held November 25, 1981 - August 31, 1982. In addition are photographs of the exhibit opening.

Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.

This subseries contains images of the exhibit and textual panels from the exhibit as well as drafts of exhibit text and research materials.

Subseries contains slides of the Pasifika: Island Journeys exhibition, held at MOA from June 21, 2004 - May 9, 2004.

This subseries contains images shown in the exhibit <i>Anonymous Beauty</i> curated by Miriam Clavir. This exhibit was on the Japanese handmade paper collection housed at MOA. In addition are 4 transparencies of the exhibit text.

Subseries contains photographic slides of the exhibit <i>El Corazon Del Mundo : At the Heart of the World</i>. This exhibit was held at MOA from October 23, 2002 - March 30, 2003.

This subseries contains images shown in the exhibit The Third Eye curated by Audrey Mackay Shane.

Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).

Subseries contains records directly related to the planning, development and execution of the Transforming Image exhibit at MOA. Planning for the exhibit began in 1983 when grants were obtained to begin research on Northwest Coast paintings. The exhibit itself occurred in 1993. The exhibit was the end result of research and development of a technique to view severely faded Northwest Coast First Nations paintings and painted objects through the use of infrared technology. Records include correspondence and information requests, public relations files, grant application information, budgeting information, papers, conferences and publications about the Transforming Image, files related to the publishing of the Transforming Image book and school interest in the exhibit.

Due to its large volume, The Transforming Image subseries has been broken down further into sub- subseries: Administration records; Research files; Book related; and Institutional photographs.

ref # 1-1-MMM-1