- 134-a040080
- Item
- 9 Aug. 1972
Part of E. Polly Hammer fonds
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Part of E. Polly Hammer fonds
(Replica) Tsimshian memorial poles #9, 10, Thunderbird Park, Victoria, B.C.
Part of E. Polly Hammer fonds
World's tallest totem pole, carved by Mungo Martin, Beacon Hill Park, Victoria, B.C.
Part of E. Polly Hammer fonds
(Replica)?, Haida sea wolf #2, Totem Park - UBC, Vancouver
Part of E. Polly Hammer fonds
The Wasgo is a monster of Haida legend that had the ability to transform between wolf and sea creature. Carved and painted by Bill Reid and Doug Cranmer in 1962.
(Replicas)?, mortuary poles (Haida), dwelling house and sea wolf, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
MOA Object ID numbers correspond to poles in the image from left to right.
A50030 carved by Bill Reid and Doug Cranmer (1961-62) as the frontal pole for the front of the Haida house, at the University of British Columbia, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
(Replica)? Haida dwelling house, Totem Park, UBC, Vancouver
Part of E. Polly Hammer fonds
Mortuary House frontal pole by Bill Reid and Doug Cranmer (1960-61) moved from Totem Park to MOA in 1978.
Final lecture of Anthropology 301, April 3, 1974, “Resurgence of Indian Culture”
Part of Wilson Duff fonds
Item is an audio recording of a lecture given by Wilson Duff on the “Resurgence of Indian Culture.” On side A, Duff speaks on the failings of colonialist education systems, First Nations traditional knowledge, and his interpretations of Haida art. Works discussed include a Raven rattle and a chest carved by Charles Edenshaw. Side B continues with Duff’s observations on government interest in, and appropriation of, First Nations art and culture as symbols of Canadian identity, and cultural repatriation.
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of four men dancing in ceremonial dress (button blankets, carved [eagle?] mask with cedar strips) performing a ceremonial dance in front of a crowd of on-lookers. The man second from the left is Willie Sewid [Seaweed; Seewid?].
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of a crowd of people in ceremonial dress and regular clothes watching two people performing a mask dance. One person wears a crooked beak [four-faced?] mask while the other is wearing a button blanket and headdress. Willie Seewid [Seaweed; Sewid?] is the man on the left looking at the dancer - noted by William Wasden Jr., 2005/02/22.
21 June 1958 Alert Bay Centennial Celebrations
Part of Diane Elizabeth Barwick fonds
Item is a photograph of two men performing a dance while a crowd watches. The man on the right in ceremonial dress (button blanket, cedar bark headdress) is Willie Seewid [Seaweed; Sewid?], who carved the crooked beak mask with cedar strips that is worn by the other dancer on the left.
Part of MOA General Media collection
Wolf dish carved by Bill Reid while he was in Montréal.
George Cadwallader and others in ceremonial regalia
Part of MOA General Media collection
George Cadwallader and other community members in ceremonial regalia at Alert Bay. Another possible caption for this slide identifies the figure in the Chilkat robe as "Dusty Cadwallader". This photograph was likely taken by Marjorie Halpin on the occasion of her visit to Alert Bay for the memorial of Mungo Martin.
Totem pole and house at Old Kasaan
Part of MOA General Media collection
Image of an old house and totem pole belonging to Chief Son-i-hat at Old Kasaan. This photograph is likely from a book by Marius Barbeau or Edward Linnaeus Keithahn.
Part of MOA General Media collection
Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.
Part of MOA General Media collection
Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.
Part of MOA General Media collection
Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.
Part of MOA General Media collection
A bentwood box by Charles Edenshaw. The museum catalogue number on the slide label is incorrect and should read A9416. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
Part of MOA General Media collection
Image of a bentwood box by Charles Edenshaw. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
Part of MOA General Media collection
Image of a bentwood box by Charles Edenshaw. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
View from the ramp of the Museum of Anthropology
Part of MOA General Media collection
View from the ramp of the Museum of Anthropology looking towards a display of feast dishes.