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Subseries consists of images showing objects exhibited during the exhibit titled Museum Quality. This exhibit was purchased for the Museum’s permanent collection by the Anthropology Shop Volunteers. Photographs were taken by Moya Waters.

Subseries contains images of exhibit curated by students from Anthropology 431 course.

Subseries contains images of Robert Davidson unveiling his work titled Raven Bringing Light to the World.

File contains images of the unveiling of Robert Davidson's work "Raven Bringing Light to the World" at the Museum of Anthropology, UBC. In addition are also images of dancers and performance at the opening

Subseries contains images of textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i>.

Subseries contains images of an artist.

File contains images of artifacts made of cedar, including baskets, hats, fishing tools, bentwood boxes and totem poles.

File contains images of the exhibition displays held at MOA as well as images of the objects.

Subseries consists of three slides of a Northwest Coast art piece with a caption reading, "A traveling exhibition of contemporary Kwakiutl art by the National Museum of Man."

Subseries consists of images of the Blood from a Stone exhibit.

File contains images showing the exhibit displays.

File contains the catalogue records of objects that were used in <i>The Transforming Image</i> exhibit.

Subseries contains records related to an exhibit on Northwest Coast metals developed by McLennan in collaboration with two anthropology students. Records include exhibit design notes including case arrangements, the exhibit proposal from the students, correspondence regarding the exhibit preparations, research regarding Northwest Coast metal works and photographs depicting various artifacts that would be included on display.

File mainly contains images of the artists involved in the <i>Through My Eyes</i>, such as Jim Hart and Robert Davidson and some of the artifacts featured in the exhibit. The textual records contain a copy of the file's content.

File contains a copy of the <i>Through my Eye</i> exhibit record, as well as copies of the exhibit's excerpts from the Vancouver Museum. There is also a postcard from the Vancouver Museum of a Tsimshian frontlet.

File contains correspondence between Bill McLennan and staff at the Vancouver Museum. In addition are letters sent to some of the artists involved with the exhibit.

File contains photocopies of images of some of the silver work featured in the <i>Signed withot Signature: Works by Charles and Isabella Edenshaw</i> exhibit.

File mainly contains photocopies of images of Northwest Coast pieces featured in the exhibit, and photocopies of historical images of Edenshaw and of First Nations villages. Other textual records include copies of loan agreements between MOA and the Royal BC Museum. The photographs are reproductions of historical photographs featuring Charles Edenshaw.

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.

Collection consists of the following items:

001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983