Audrey and Harry Hawthorn Library and Archives

25-02-05
File
1967

File consists of images of the Ninstins (or Ninstints) village site on Anthony Island, Haida Gwaii.

Anthony Carter

Robert Davidson, Jr. pole raising ceremony

25-02-09
File
August 22, 1969

File consists of images from a pole raising ceremony in Masset, on Queen Charlotte Island, Haida Gwaii. The pole was carved by Robert Davidson, Jr. Images show the crowd, speakers (including Davidson), the process of raising the pole, and nearby scenery.

Anthony Carter

Ans'pa yaxw (Kispiox) & Gitsegukla

25-04-08
File
1969-1972

Part of Anthony Carter fonds

File consists of images of the Skeena River valley area in British Columbia, near Hazelton. Subjects include people, totem poles, scenery, and the the villages of Gitsegukla and Kitwancool.

Anthony Carter

Totem Park & Wreck Beach at UBC

25-05-12
File
1970-1977

Part of Anthony Carter fonds

File consists of images of Totem Park and Wreck Beach at the University of British Columbia, as well as a small number of images of unidentified locations elsewhere in BC.

Anthony Carter

Yuquot & Esperanza Inlet

25-03-11
File
1971-1972

Part of Anthony Carter fonds

File consists of images of scenery and people of the Nootka Sound area on the west coast of Vancouver Island, BC.

Anthony Carter

Mamalilikulla

25-03-17
File
July 1973

Part of Anthony Carter fonds

Anthony Carter

Uchucklesaht, Vancouver Island

25-03-18
File
1973

Part of Anthony Carter fonds

Anthony Carter

Kingcome Inlet & Gwayasdums (Gilford Island)

25-03-13
File
1973

Part of Anthony Carter fonds

File consists of images of the Kingcome Inlet and Gilford Island, both in the central coast area of British Columbia. Scenery and individuals from the area are featured.

Anthony Carter

Totem poles and installations at MOA & UBC

25-05-11
File
1976-1978

Part of Anthony Carter fonds

File consists of images of totem pole and other display installations at the Museum of Anthropology at UBC.

Massett Haida pole carving

1-2-EE-1 (13.14 - 14.1)
File
1981-1982

Part of William McLennan (MOA Curator) fonds

File mainly contains slides of artist Jim M. Hart carving a replica of a pole that originated in Massett. There are also images of the replica pole's raising ceremony held at MOA in 1982.

Photographs

1-1-E-1 (3.1-4)
File
1983

Part of William McLennan (MOA Curator) fonds

File contains images used in the exhibit and in the publication Ninstints: Haida World Heritage Site.

Jacquie Gijssen’s photos of R. Davidson’s Pepsi-Co Commission

1-2-KK-2 (7.3)
File
1986

Part of William McLennan (MOA Curator) fonds

File contains a negative and contact sheets depicting Davidson working on and carving his totem poles for the Pepsi-Co commission project.

Jacquie Gijssen’s slides of R. Davidson’s Pepsi-Co Commission

1-2-KK-4 (7.5)
File
1986

Part of William McLennan (MOA Curator) fonds

File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

Jacquie Gijssen’s slides of R. Davidson’s Pepsi-Co Commission

1-2-KK-5 (7.6)
File
1986

Part of William McLennan (MOA Curator) fonds

File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

Jacquie Gijssen’s negatives of R. Davidson’s Pepsi-Co Commission

1-2-KK-3 (7.4)
File
1986

Part of William McLennan (MOA Curator) fonds

File contains negatives of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

Stan Bevan and Ken McNeil

1-4-B-2 (20.9)
File
1990-1991

Part of William McLennan (MOA Curator) fonds

File contains images of newly carved totem poles by Stan Bevan along with accompanying correspondence regarding the poles and biography for both Stan Bevan and Ken McNeil.

YVR photographs

1-2-X-4 (12.8)
File
[1994-2004]

Part of William McLennan (MOA Curator) fonds

File contains images of various different pieces of Northwest Coast artwork located at YVR. These artwork pieces include: the cedar crabs from the Pacific Passage installation; Hetux, Thunderbird, the Keeper of the Sky installation; the whaling canoe from the Rainbow off the Beach installation; the Origins of Light installation; the The Supernatural Worlds: The Land, The Sea, The Sky installation; and the Musqueam Welcoming Area installation, which includes several Salish weavings.

Initial carving stages at Haida Gwaii