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Item is a photo showing a man in Haida regalia dancing in front of a totem pole that is about to be raised. There is a large crowd behind him, watching. There is anther totem pole and a long house in the background.

File contains images used in the exhibit and in the publication Ninstints: Haida World Heritage Site.

File contains a negative and contact sheets depicting Davidson working on and carving his totem poles for the Pepsi-Co commission project.

File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

File contains slides of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.

File contains negatives of Davidson working on and carving his totem poles for the Pepsi-Co commission project.

File contains images of newly carved totem poles by Stan Bevan along with accompanying correspondence regarding the poles and biography for both Stan Bevan and Ken McNeil.

File contains images of various different pieces of Northwest Coast artwork located at YVR. These artwork pieces include: the cedar crabs from the <i>Pacific Passage</i> installation; <i>Hetux, Thunderbird, the Keeper of the Sky</i> installation; the whaling canoe from the <i>Rainbow off the Beach</i> installation; the <i>Origins of Light</i> installation; the <i>The Supernatural Worlds: The Land, The Sea, The Sky</i> installation; and the <i> Musqueam Welcoming Area</i> installation, which includes several Salish weavings.

File contains images showing artists beginning to work on Bill Reid's pole..

File contains the print titled "Our Grandmother" by Jim Hart and a computer printed image showing First Nations members in regalia.

This file contains images of totem poles collected for research. Some images are from the collections of other institutions.

File contains images showing the final touches being done on the pole as well as ceremony and raising the pole at the Museum of Anthropology.

File contains images showing the ceremony and pole raising at the Museum of Anthropology.

File contains images showing the Respect to Bill Reid Pole being unloaded from the flat bed truck.

Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.