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University of British Columbia
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Totem Park & Wreck Beach at UBC

File consists of images of Totem Park and Wreck Beach at the University of British Columbia, as well as a small number of images of unidentified locations elsewhere in BC.

Anthony Carter

George Szanto fonds

  • 138
  • Fonds
  • May 1962

Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.

The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.

George Szanto

Rounding the log

File consists of photographs documenting the first stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. This stage includes removing the bark, taking off the outer layer of wood, and making it round in preparation for the design to be added. Also included are images of the log being moved from Gibsons on the Sunshine Coast to the construction company's yard and finally to the carving shed at the University of British Columbia.

University of British Columbia (UBC) series

Series consists of photographs documenting totem pole raising or restoration and other events held at the University of British Columbia (UBC) Museum of Anthropology (MOA).

In 1976 Jensen was hired by MOA to document the installation of totem poles into the new building. Jensen did not keep the negatives for these photographs (MOA did in this instance). She was hired again in 1981 to create a slide loop of images to be featured in the museum. After working with the museum, she felt welcome there and often gave talks or did training. Most of the subsequent photographs in this series were taken at public events such as book launches or pole raisings.

Special events

Subseries consists of files relating to nine special events: the Indian Costume Show (1950), Open House Day (1955), the opening of Totem Park, the Henry Speck (Ozistalis) show (1964), a talk given on aboriginal medicine (1966), Bill Holm’s Indian Dance Group (1967), the opening ceremony for the new museum (1974-1979), the Raven Celebration (1980), the ‘Ksan Poleraising (1980-1981), and the dedication of the museum doors (1976). The records in this subseries consist of correspondence, newspaper clippings, memoranda, photographic negatives, ephemera, plans, budgets, financial statements, receipts, a copy of the June 9, 1976 edition of UBC Reports, and a copy of Canadian Art Review VI/I/1979.

Memorial pole being raised in the Haida Village

Item is a colour image of Memorial pole being raised in the Haida Village at Totem Park at the University of British Columbia (UBC). The Haida house appears to the left. The double memorial pole appears to the right.

Bill Reid watching the construction of the Haida house

Item is a colour image of Bill Reid observing the construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC). The Memorial Pole appears on the left; the Double Mortuary Pole appears on the right

Construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC

Item is a colour image of the construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC). The Memorial Pole appears on the left; disassembled Wasgo appears in the centre; the House frontal post appears in the centre; the Double Mortuary Pole appears on the right. A woman and young child appear in the left foreground

George Hunt Sr. pole (Kwakwaka’wakw)

Image of totem pole carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Anthony Carter

Bill Reid’s 7waasru (Wasgo)

Image of carving by Bill Reid, 7waasru (Wasgo). The carving was commissioned by the University of British Columbia for display in Totem Park, originally. The sculpture was moved to the Museum of Anthropology in 1978.

Anthony Carter

Charlie James totem pole

Image of totem pole carved by Charles James.

The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.

Anthony Carter

Kwakwakw’wakw house frame

Image of Kwakiutl House Frontal Totem Poles when they stood at UBC's Totem Park. The poles are now part of MOA's collection, but are not on display.

Anthony Carter

Eagle sculpture, Kwakwakw’wakw

Image of Kawkwakw'wakw eagle sculpture, when it was located at UBC's Totem Park. The sculpture is now part of MOA's object collection.

Anthony Carter

Kwakwakw’wakw house frame

Image of Kwakiutl House Frontal Totem Poles when they stood at UBC's Totem Park. The poles are now part of MOA's collection, but are not on display.

Anthony Carter

Kwakwakw’wakw house frame

Image of Kwakiutl House Frontal Totem Poles when they stood at UBC's Totem Park. The poles are now part of MOA's collection, but are not on display.

Anthony Carter

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