This issue contains articles on current and upcoming exhibitions, Great Hall seismic upgrade renovations, Carol E. Mayer's trip to the island of Erub, volunteer Marcie Powell's work on textiles, contemporary art in the Multiversity Galleries, Debra Sparrow's weaving at the museum, the raising of a new Raven Pole at Wuikinuxv Village, the Volunteer Associates enrichment trip, the Native Youth Program, and an interview with Ann Stevenson, retiring Information Manager.
Item is a negative showing several gold and silver bracelets in a display case with a green background. The bracelets have Northwest Coast art engraved on them.
The newsletter contains 7 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the Hawaiian travelling exhibition Maui: Turning Back the Sky, the Volunteer Associates, the exhibition Vereinigung, a project involving a secondary school art class and ceramics, new Booking Coordinator Anna Nobile, a project to identify the fibres used in ceremonial blankets, and the book An Illustrated Guide to Totem Poles by Dr. Marjorie Halpin. Also included is a Calendar of Events.
Image of 2 of the 4 weavings that comprise Out of the Silence on display at the Vancouver International Airport. The weavings were made by Musqueam artists Krista Point, Robyn Sparrow, Debra Sparrow, Gina Grant and Helen Callbreath.
View of the Killer Whale Arch located at the entrance to the Nimpkish Band Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia, See also item a033244 of this same carved arch.
View of the Killer Whale Arch located at the entrance to the Kwatiul Indian Cemetery. This arch is a memorial to a boy lost at sea. Located at Alert Bay, British Columbia, this photo is attributed to Eric J. Cooke, Camp "N," Beaver Cove, B. C. Several crosses and memorial totem poles are visible behind this archway. See also item a033261 which includes this same carving.
Item is the first of a three part sound recording of an interview with Bill Reid about the origins of his carving The Raven and the First Men, located at MOA. The interviewer is unknown. During the interview Bill Reid discusses how the sculpture was the result of a highly collaborative process involving other artists, his impression of the location of the carving in MOA, and his working relationship with Walter C. Koerner who commissioned the sculpture. He lastly discusses his representation and interpretation of the Haida legend that the carving is based on. This recording is part of Celebration of the Raven which documented the creation of the Raven and the First Men Sculpture, its relocation to the Museum of Anthropology, and the unveiling by the Prince of Wales in 1982.
Image of a drawing from a drawing class. The label for this slide suggests an association with Richmond Art Teachers but the context of the label in unknown.
Image of a drawing from a drawing class. The label for this slide suggests an association with Richmond Art Teachers but the context of the label in unknown.
Image of an Bill Reid's bear sculpture, taken at the University of British Columbia. This sculpture is part of MOA's object collection.
Dr. Walter Koerner commissioned Reid to make this sculpture for his personal collection. It was originally commissioned for his backyard garden, but Koerner decided it looked too large for the space so he donated it to UBC. It was installed on the UBC campus in 1963, in the woods near International House. A bronze plaque made for that location reads: Haida Bear by Bill Reid Presented to UBC by Walter C. Koerner 1963. At some point, after the new Museum building was built, the bear was transferred to MOA and moved indoors.
