Item is a sound recording of Chief William Matthews of Massett, Haida Gwaii, British Columbia discussing various topics including: the formation of Native Brotherhood of British Columbia, which was established in 1931 and is recognized as Canada’s oldest active Native organization, and a senior BC fishing organization; proceeding years of the organization’s existence including who had governance in the organization, descriptions of various delegates, which villages were represented in the organization and the growth of the organization in subsequent years; personal stories about his family; history and social structure of the village he grew up in and of Haida peoples more broadly.
Item is an audio recording of an interview between an unidentified interviewer who speaks in English and a group of several unidentified male speakers that speak in an unidentified First Nations language. The interviewer asks the group to introduce themselves and share stories about their personal histories.
[rr_0024t1a] Item is a sound recording of Chief William Matthews of Masset, Haida Gwaii, British Columbia discussing Haida history. Topics include: the history of Haida villages, particularly the village of Masset; carver Robert Davidson who lived in Masset during his infancy; and traditional forms of fishing and agriculture.
[rr_0024t2a] Item is a sound recording of William Matthews discussing Haida history. Topics include: stories about fishing and hunting expeditions as a child; how he became involved in Council work in Masset; impact of the work done by Council on the village and improvements made; specific individuals involved in Council; differences in the approach between Council now and during his tenure; observations about life in Masset now and then.
Item is the second of eight audio recordings of George Myers of Riske Creek, British Columbia singing in the Chilcotin language, with drum accompaniment. He speaks in English in between songs about his spiritual beliefs and work as a medicine man.
Item is a sound recording of Audrey Hawthorn discussing the work of Mungo Martin as he provides a carving demonstration. Mungo Martin does not speak during the recording. Audrey Hawthorn provides a brief biography of Mungo Martin, a description of his work carving the totem poles that stand at UBC’s totem park, the tools he uses, his design process and lastly describes the the intricate steps required to create Kwakiutl wood carvings.
Item is an audio recording of George Johnston (Tlingit name was Kaash KlaÕ) at age 80 singing and speaking in either Haida or Tlingit. He was a hunter, trapper, entrepreneur and photographer and was known for documenting his family life and the Yukon community of Teslin, where he lived. For biographical information see http://www.nutaaq.com/productions/georgejohnston.html
Series consists of the video recordings about, by, or related to the Museum of Anthropology. Video recordings can be found in many collections and fonds in the MOA Archives; the recordings in this General Media collection are those that do not belong to a more specific archival collection, usually because their provenance is not known.
Collection consists of the media -including photographs, sound recordings, and video recordings - that is about, by, or related to the Museum of Anthropology (MOA) and its collections. Media can be found in many collections and fonds in the MOA Archives; the media in this General Media collection are those that do not belong to a more specific archival collection, usually because their provenance is not known.
The collection is divided into three series based on media type:
Series contains photographs collected for curatorial research by MOA staff, mostly relating to First Nations geographical areas, cultures, and artists. The series also includes photographs documenting MOA activities, staff, and volunteers.
The photographs are organized into two subseries: A. Early MOA activities and curatorial research B. MOA Activities, 1976 and later
Subseries includes photographic material collected to document the organizational memory of MOA. Photographs primarily depict the events and functions that have occurred in the museum, as well as events and functions that took place outside the museum that involved MOA or MOA staff members. The subseries also contains candid shots of MOA staff members, photographs of different parts of the museum, and photographs related to MOA that have made their way into the MOA archives.
Subseries consists of sound recordings made or collected by the Museum of Anthropology and its staff. Some recordings were created or collected for research purposes (such as interviews); others are final products intended for some type of distribution (such as documentaries).
Series consists of the sound recordings about, by, or related to the Museum of Anthropology. Sound recordings can be found in many collections and fonds in the MOA Archives; the recordings in this General Media collection are those that do not belong to a more specific archival collection, usually because their provenance is not known.
This subseries consists of photographs from the history of the Museum of Anthropology, including the original museum location in the basement of UBC Library through to the opening of the museum at its current location in 1976. Subjects include:
Activities of the B.C. Totem Pole Preservation Committee
Totem pole restoration by Mungo Martin
Early images of Totem Park, including the opening ceremony
Raising of the Mungo Martin memorial pole in Alert Bay
Visit to UBC by Governor General Vincent Massey
Carving and construction of the Haida House by Bill Reid and Doug Cranmer
Images of displays from the Museum of Anthropology's original location in the old library basement
Exhibitions held at the Museum of Anthropology, especially through the 1950s and 1960s
Images of Expo 1967 in Montréal
The Museum of Anthropology's Northwest Coast exhibit for "Man and His World", held in Montréal
Opening Exhibition of the Vancouver Centennial Museum, curated by the Museum of Anthropology
Design plans, models, and inspirations for the new Museum of Anthropology building
Images of the new Museum of Anthropology building at various stages of construction
Moving totem poles from Totem Park to the new Museum of Anthropology building
Packing objects in the old Museum of Anthropology location in the library basement
Moving objects into the new Museum of Anthropology
Official opening of the Museum of Anthropology's new location
Visible storage and early exhibition in the Museum of Anthropology's new location
Reassembly of the Haida House on the grounds of the new Museum of Anthropology building
Activities and classes held at the Museum of Anthropology's new location
Item is the second of a three part sound recording of an interview with Bill Reid about the origins of his carving The Raven and the First Men, located at MOA. The interviewer is unknown. During the interview he discusses how the sculpture was the result of a highly collaborative process involving other artists, his impression of the location of the carving in MOA, and his working relationship with Walter C. Koerner who commissioned the sculpture. He lastly discusses his representation and interpreation of the Haida legend that the carving is based on. This recording is part of Celebration of the Raven which documented the creation of the Raven and the First Men Sculpture, its relocation to the Museum of Anthropology, and the unveiling by the Prince of Wales in 1982.
Item is the first of a three part sound recording of an interview with Bill Reid about the origins of his carving The Raven and the First Men, located at MOA. The interviewer is unknown. During the interview Bill Reid discusses how the sculpture was the result of a highly collaborative process involving other artists, his impression of the location of the carving in MOA, and his working relationship with Walter C. Koerner who commissioned the sculpture. He lastly discusses his representation and interpretation of the Haida legend that the carving is based on. This recording is part of Celebration of the Raven which documented the creation of the Raven and the First Men Sculpture, its relocation to the Museum of Anthropology, and the unveiling by the Prince of Wales in 1982.
Item is the third of a three part sound recording of an interview with Bill Reid about the origins of his carving The Raven and the First Men, located at MOA. The interviewer is unknown. During the interview, Bill Reid discusses symbolism in the carving. This recording is part of Celebration of the Raven which documented the creation of the Raven and the First Men Sculpture, its relocation to the Museum of Anthropology, and the unveiling by the Prince of Wales in 1982.
Artist Bill Reid discusses the Haida legend of the Raven and the First Men and his carving based on the legend which is on display at the UBC Museum of Anthropology.