- 1-1-E-1 (3.1-4)
- Dossier
- 1983
Fait partie de William McLennan (MOA Curator) fonds
File contains images used in the exhibit and in the publication Ninstints: Haida World Heritage Site.
40 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fait partie de William McLennan (MOA Curator) fonds
File contains images used in the exhibit and in the publication Ninstints: Haida World Heritage Site.
Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.
The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.
Sans titre
Carving of the "Raven and the First Man," Bill Reid
Fait partie de Public Programming and Education fonds
Fonds consists of 21 photographs from the 1978 Bill Reid pole raising ceremony at Skidegate, an event at which Gill was an observer.
Sans titre
Slide of Bill Reid at Totem Park, UBC
Fait partie de Derek Applegarth fonds
Slide of a photograph taken in the spring of 1962 or 1963 of Bill Reid as he was working on a carving at Totem Park, UBC.
Fait partie de Anthony Carter fonds
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
Sans titre
Fait partie de Anthony Carter fonds
Image of mortuary pole carved by Bill Reid and Doug Cranmer. The pole is part of MOA's collection.
Sans titre
House Frontal Totem Pole, UBC Totem Park
Fait partie de Anthony Carter fonds
Image of a house frontal pole. The pole was carved at the University of British Columbia for display in Totem Park, where it is located in this image. It was moved to the new Museum of Anthropology grounds in 1978. Bill Reid based the design of the pole on older poles from Ninstints.
Sans titre
House Frontal Totem Pole, UBC Totem Park
Fait partie de Anthony Carter fonds
Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
Sans titre
House Frontal Totem Pole, UBC Totem Park
Fait partie de Anthony Carter fonds
Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002
Sans titre
House Frontal Totem Pole, UBC Totem Park
Fait partie de Anthony Carter fonds
Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
Sans titre
House Frontal Totem Pole, UBC Totem Park
Fait partie de Anthony Carter fonds
Image of a house frontal pole. The pole was carved at the University of British Columbia for display in Totem Park, where it is located in this image. It was moved to the new Museum of Anthropology grounds in 1978. Bill Reid based the design of the pole on older poles from Ninstints.
Sans titre
House Frontal Totem Pole, UBC Totem Park
Fait partie de Anthony Carter fonds
Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
Sans titre
House Frontal Totem Pole, UBC Totem Park
Fait partie de Anthony Carter fonds
Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
Sans titre
Fait partie de Anthony Carter fonds
Image of mortuary pole carved by Bill Reid and Doug Cranmer. The pole is part of MOA's collection.
Sans titre
Fait partie de Anthony Carter fonds
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
Sans titre
Fait partie de Anthony Carter fonds
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
Sans titre
Fait partie de Anthony Carter fonds
Image of memorial pole when it stood at UBC's Totem Park. The pole is now part of MOA's collection.
The pole was carved at UBC for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. This pole is based on the beaver pole standing at the north end of Skidegate. The raven figure was removed from the top of the pole in Sept. 2005 due to its poor condition and safety concerns .
Sans titre
Haida house and mortuary house being reassembled
Fait partie de MOA General Media collection
Image shows the Haida and mortuary houses while they were being reassembled during relocation from Totem Park.
Museum grounds facing future site of Haida house
Fait partie de MOA General Media collection
A photograph of the museum grounds facing the future site of the Haida house and Mortuary house. An unidentified man stands in the foreground.